Musical Acoustics Papers Published in JASA
January
1998-February 2010
Vol. 127 (2010)
No.
5 (May)
Ana Navarro Cebrian and Petr Janata, Influences
of multiple memory systems on auditory mental image acuity
Jean-Loic Le Carrou, Quentin Leclere, and
Francois Gautier, Some
characteristics of the concert harp's acoustic radiation
Lucie Bailly, Nathalie Henrich, and Xavier Pelorson, Vocal
fold and ventricular fold vibration in period-doubling phonation: Physiological
description and aerodynamic modeling
Ann-Christine Mecke and
Johan Sundberg, Gender
differences in children's singing voices: Acoustic analyses and results of a
listening test
Molly E. Jones, Kent L. Gee, and Jeremy Grimshaw, Vibrational characteristics of Balinese gamelan metallophones
No.
2 (February)
Pablo L. Rendón, Felipe Orduña-Bustamante, Daniela Narezo, Antonio Pérez-López, and Jacques Sorrentini, Nonlinear progressive waves in a slide trombone resonator
No.1 (January)
Katja Saupe, Stefan Koelsch, and Rudolf Rübsamen, Spatial selective attention in a complex auditory environment such as polyphonic music
Chao-Yang Lee and Yuh-Fang Lee, Perception of musical pitch and lexical tones by Mandarin-speaking musicians
Daniel L. Bowling, Kamraan Gill, Jonathan D. Choi, Joseph Prinz, and Dale Purves, Major and minor music compared to excited and subdued speech
Sean Hutchins, Jean Mary Zarate, Robert J. Zatorre, and Isabelle Peretz, An acoustical study of vocal pitch matching in congenital amusia
Claudia Fritz, Jim Woodhouse, Felicia P.-H. Cheng, Ian Cross, Alan F. Blackwell, and Brian C. J. Moore, Perceptual studies of violin body damping and vibrato
Randy Worland, Normal modes of a musical drumhead under non-uniform tension
Vincent Verfaille, Philippe Depalle, and Marcelo M. Wanderley, Detecting overblown flute fingerings from the residual noise spectrum
Vol. 126 (2009)
No.
5 (November)
E. Schoonderwaldt and M. Demoucron, Extraction of bowing parameters from violin performance combining motion capture and sensors
E. Schoonderwaldt, The player and the bowed string: Coordination of bowing parameters in violin and viola performance
No. 3 (September)
Jer-Ming Chen, John Smith, and Joe Wolfe, Pitch bending and glissandi on the clarinet: Roles of the vocal tract and partial tone hole closure
André Almeida, Renee Chow, John Smith, and Joe Wolfe, The kinetics and acoustics of fingering and note transitions on the flute
Ingo R. Titze and Albert S. Worley, Modeling source-filter interaction in belting and high-pitched operatic male singing
No. 2 (August)
Hubert J. Außerlechner, Thomas Trommer, Judit Angster, and András Miklós, Experimental jet velocity and edge tone investigations on a foot model of an organ pipe
No. 1 (July)
Hiroshi Kinoshita and Satoshi Obata, Left hand finger force in violin playing: Tempo, loudness, and finger differences
Sally Collyer, Pamela J. Davis, C. William Thorpe, and Jean Callaghan, Fundamental frequency influences the relationship between sound pressure level and spectral balance in female classically trained singers
Anke Grell, Johan Sundberg, Sten Ternström, Martin Ptok, and Eckart Altenmüller, Rapid pitch correction in choir singers
Simone Dalla Bella, Jean-François Giguère, and Isabelle Peretz, Singing in congenital amusia
Vol. 125 (2009)
No. 6 (June)
Chandrika P. Vyasarayani, Stephen Birkett, and John McPhee, Modeling the dynamics of a compliant piano action mechanism impacting an elastic stiff string
No. 5 (May)
Paris Smaragdis, Relative-pitch tracking of multiple arbitrary sounds
No. 4 (April)
Diana Deutsch, Kevin Dooley, Trevor Henthorn, and Brian Head, Absolute pitch among students in an American music conservatory: Association with tone language fluency
Alistair C. P. Braden, Michael J. Newton, and D. Murray Campbell, Trombone bore optimization based on input impedance targets
No. 1 (January):
Andrew B. Horner, James W. Beauchamp, and Richard H.Y. So, Detection of time-varying harmonic amplitude alterations due to spectral interpolations between musical instrument tones
Friederike Roers, Dirk Mürbe, and Johan Sundberg, Voice classification and vocal tract of singers: A study of x-ray images and morphology
Vol. 124
(2008)
No. 6 (December):
George Bissinger, Structural acoustics model of the violin radiativity profile
Stefan T. Tomic and Petr Janata, Beyond the beat: Modeling metric structure in music and performance
No. 5 (November):
Laurie A. Stephey and Thomas R. Moore, Experimental investigation of an American five-string banjo
Fabrice Silva, Jean Kergomard, Christophe Vergez, and Joël Gilbert, Interaction of reed and acoustic resonator in clarinetlike systems
Lucie Bailly, Xavier Pelorson, Nathalie Henrich, and Nicolas Ruty, Influence of a constriction in the near field of the vocal folds: Physical modeling and experimental validation
No. 4 (October):
Martin Ebeling, Neuronal periodicity detection as a basis for the perception of consonance: A mathematical model of tonal fusion
No. 3 (September):
Stephanie M. Stalinski, E. Glenn Schellenberg, and Sandra E. Trehub, Developmental changes in the perception of pitch contour: Distinguishing up from down
George Bissinger, Structural acoustics of good and bad violins
Chris Waltham and Andrzej Kotlicki, Vibrational characteristics of harp soundboards
No. 2 (August):
Guillaume Nief, Francois Gautier, Jean-Pierre Dalmont, and Joel Gilbert, Influence
of wall vibrations on the behavior of a simplified wind instrument
No. 1 (July):
Diana Deutsch, Kevin Dooley, and Trevor
Henthorn, Pitch
circularity from tones comprising full harmonic series
Vol. 123 (2008)
No. 1 (January):
David Gunawan and D.
Sen, Spectral
envelope sensitivity of musical instrument sound
No. 2 (February):
L. E. McNeil and S. Mitran, Vibrational frequencies and tuning of the African mbira
No. 3 (March):
Jonas Braasch, Acoustical
measurements of expression devices in pipe organs
No. 4 (April):
Gary Scavone, Antoine Lefebre,
Andrey R. de Silva, Measurement
of vocal-tract influence during saxophone performance
Adrien Mamou-Mani, Joel
Frelat, and Charles Besnainou,
Numerical
simulation of a piano soundboard under downbearing
Vol. 122 (2007)
No. 1 (July):
Shigeru Yoshikawa, Acoustical
classification of woods for string instruments
No. 2 (August):
Jean-Pierre Dalmont and Cyrille
Frappe, Oscillation
and extinction thresholds of the clarinet: Comparison of analytical results and
experiments
No. 3 (September):
Andrey Ricardo da
Silva, Gary P. Scavone, and Maarten van Walstijn, Numerical
simulations of fluid-structure interactions in single-reed mouthpieces
Heidi-Maria Lehtonen, Henri Penttinen,
Jukka Rauhala, and Vesa Valimaki, Analysis
and modeling of piano sustain-pedal effects
No. 4 (October):
Enza De Lauro,
Salvatore De Martino, Enrico Esposito, Mariarosaria Falanga, and Enrico Primo Tomasini, Analogical
model for mechanical vibrations in flue organ pipes inferred by independent
component analysis
No. 5 (November):
Renee Timmers, Perception
of music performance on historical and modern commercial recordings
Volume 121 (2007)
No. 1 (January):
Andre Almeida, Christophe Vergez, and Rene Causse, Quasistatic nonlinear characteristics of double-reed
instruments
John Smith, Guillaume Rey, Paul
Dickens, Neville Fletcher, Lloyd Hollenberg, and Joe
Wolfe, Vocal
tract resonances and the sound of the Australian didjeridu
(yidaki). III. Determinants of playing quality
J-L. Le Carrou, F. Gautier, and E. Foltete, Experimental
study of A0 and T1 modes of the concert harp
No. 2 (February):
Simone Dalla Bella, Jean-Francois Giguere, and Isabelle Peretz, Singing
proficiency in the general population
No. 3 (March):
Sally Collyer, Pamela J. Davis, C. William
Thorpe, and Jean Callaghan, Sound
pressure level and spectral balance linearity and symmetry in the messa di voce of female classical
singers
No. 4 (April):
Toby J. W. Hill and Ian R. Summers, Discrimination
of interval size in short tone sequences
Christoph Buksnowitz,
Alfred Teischinger, Ulrich Muller, Andreas Pahler, and Robert Evans, Resonance
wood [Picea abies
(L.) Karst.]
-- evaluation and prediction of violin makers' quality-grading
Philippe Guillemain, Some
roles of the vocal tract in clarinet breath attacks: Natural sounds analysis
and model-based synthesis
Mitsuko Aramaki, Henri Bailleres, Loic Brancheriau, Richard Kronland-Martinet,
and Solvi Ystad, Sound
quality assessment of wood for xylophone bars
No. 5 (May):
Hiroshi Kinoshita, Shinichi Furuya, Tomoko Aoki,
and Eckart Altenmuller, Loudness
control in pianists as exemplified in keystroke force measurements on different
touches
No. 6 (June):
George Bissinger, Earl G. Williams, and Nicolas
Valdivia, Violin
f-hole contribution to far-field radiation via patch near-field acoustical
holography
Volume 120 (2006)
No. 1 (July):
George Bissinger, The
violin bridge as filter
No. 4 (October):
John W. Coltman, Jet
offset, harmonic content, and warble in the flute
No. 6 (December):
Henri Penttinen, Jyri Pakarinen, Vesa Valimaki, Mikael Laurson, Henbing Li, and Marc Leman,
Model-based
sound synthesis of the guqin
Volume 119 (2006)
No. 5 (May)
András Miklós, Judit Angster, Stephan Pitsch, and Thomas D. Rossing, Interaction of reed and resonator by sound generation in a reed organ pipe
No. 4 (April)
M. Abel, S. Bergweiler, and R. Gerhard-Multhaupt, Synchronization of organ pipes: experimental observations and modeling
Thomas M. Huber, Mostafa Fatemi, Randy Kinnick, and James Greenleaf, Noncontact modal analysis of a pipe organ reed using airborne ultrasound stimulated vibrometry
Ixone Arroabarren and Alfonso Carlosena, Effect of the glottal source and the vocal tract on the partials amplitude of vibrato in male voices
Manuel Davy, Simon Godsill, and Jérôme Idier, Bayesian analysis of polyphonic western tonal music
No. 3 (March)
Thomas R. Moore and Sarah A. Zietlow, Interferometric studies of a piano soundboard
Snorre Farner, Christophe Vergez, Jean Kergomard, and Aude Lizée, Contribution to harmonic balance calculations of self-sustained periodic oscillations with focus on single-reed instruments
Paul Boersma and Gordana Kovacic, Spectral characteristics of three styles of Croatian folk singing
No. 2 (February)
Petri Toiviainen and Tuomas Eerola, Autocorrelation in meter induction: The role of accent structure
Bruno L. Giordano and Stephen McAdams, Material identification of real impact sounds: Effects of size variation in steel, glass, wood, and plexiglass plates
W. Luke Windsor, Peter Desain, Amandine Penel, and Michiel Borkent, A structurally guided method for the decomposition of expression in music performance
Alex Z. Tarnopolsky, Neville H. Fletcher, Lloyd C. L. Hollenberg, Benjamin D. Lange, John Smith, and Joe Wolfe, Vocal tract resonances and the sound of the Australian didjeridu (yidaki) I. Experiment
N. H. Fletcher, L. C. L. Hollenberg, J. Smith, A. Z. Tarnopolsky, and J. Wolfe, Vocal tract resonances and the sound of the Australian didjeridu (yidaki) II. Theory
Volume 118 (2005)
No. 6 (December)
Sten Ternström, Densil Cabrera, and Pamela Davis, Self-to-other ratios measured in an opera chorus in performance
No.5 (November)
Jean-Pierre Dalmont, Joël Gilbert, Jean Kergomard, and Sébastien Ollivier, An analytical prediction of the oscillation and extinction thresholds of a clarinet
Claudia Fritz and Joe Wolfe, How do clarinet players adjust the resonances of their vocal tracts for different playing effects?
Stefan Bilbao, Conservative numerical methods for nonlinear strings
No. 4 (October)
J. Gilbert, L. Simon, and J. Terroir, Vibrato of saxophones
Emilie Poirson, Jean-François Petiot, and Joël Gilbert, Study of the brightness of trumpet tones
No. 3 (September)
L. Trautmann, S. Petrausch, and M. Bauer, Simulations of string vibrations with boundary conditions of third kind using the functional transformation method
Éric Ducasse, On waveguide modeling of stiff piano strings
No. 2 (August)
Werner Goebl, Roberto Bresin, and Alexander Galembo, Touch and temporal behavior of grand piano actions
No. 1 (July)
Anne Caclin, Stephen McAdams, Bennett K. Smith, and Suzanne Winsberg, Acoustic correlates of timbre space dimensions: A confirmatory study using synthetic tones
Philippe Guillemain, Jean Kergomard, and Thierry Voinier, Real-time synthesis of clarinet-like instruments using digital impedance models
Julien Bensa, Olivier Gipouloux, and Richard Kronland-Martinet, Parameter fitting for piano sound synthesis by physical modeling
Volume 117 (2005)
No. 5 (May)
Brian E. Anderson and William J. Strong, The effect of inharmonic partials on pitch of piano tones
No. 4 (April)
Masahiro Sunohara, Kenji Furihata, David K. Asano, Takesaburo Yanagisawa, and Atsuyoshi Yuasa, The acoustics of Japanese wooden drums called "mokugyo"
Bo Cartling, Beating frequency and amplitude modulation of the piano tone due to coupling of tones
Balázs Bank and László Sujbert, Generation of longitudinal vibrations in piano strings: From physics to sound synthesis
Denis Ricot, René Caussé, and Nicolas Misdariis, Aerodynamic excitation and sound production of blown-closed free reeds without acoustic coupling: The example of the accordion reed
No. 3 (March)
Nathalie Henrich, Christophe d'Alessandro, Boris Doval, and Michèle Castellengo, Glottal open quotient in singing: Measurements and correlation with laryngeal mechanisms, vocal intensity, and fundamental frequency
No. 2 (February)
Lamberto Tronchin, Modal analysis and intensity of acoustic radiation of the kettledrum
No. 1 (January)
N. H. Fletcher, Stopped-pipe wind instruments: Acoustics of the panpipes
Brian Copeland, Andrew Morrison, and Thomas D. Rossing, Sound radiation from Caribbean steelpans
J. Petrolito and K. A. Legge, Designing musical structures using a constrained optimization approach
Renee Timmers, Predicting the similarity between expressive performances of music from measurements of tempo and dynamics
Roger J. Hanson, H. Kent Macomber, Andrew C. Morrison, and Matthew A. Boucher, Primarily nonlinear effects observed in a driven asymmetrical vibrating wire
Volume 116 (2004)
No 4. (October)
Michael F. Page, Perfect harmony: A mathematical analysis of four historical tunings
Bradley M. Deutsch, Cherie L. Ramirez, and Thomas R. Moore, The dynamics and tuning of orchestral crotales
Elodie Joliveau, John Smith, and Joe Wolfe, Vocal tract resonances in singing: The soprano voice
No. 3 (September)
David A. Ross, Ingrid R. Olson, Lawrence E. Marks, and John C. Gore, A nonmusical paradigm for identifying absolute pitch possessors
Andrew Horner, James Beauchamp, and Richard So, Detection of random alterations to time-varying musical instrument spectra
No. 1 (July)
Jennifer J. Barnes, Pamela Davis, Jennifer Oates, and Janice Chapman, The relationship between professional operatic soprano voice and high range spectral energy
Volume 115 (2004)
No. 5 (May)
Judith C. Brown and Paris Smaragdis, Independent component analysis for automatic note extraction from musical trills
No. 3 (March)
Stephen McAdams, Antoine Chaigne, and Vincent Roussarie, The psychomechanics of simulated sound sources: Material properties of impacted bars
Nathalie Henrich, Christophe d'Alessandro, Boris Doval, and Michèle Castellengo, On the use of the derivative of electroglottographic signals for characterization of nonpathological phonation
No. 2 (February)
Brian Capleton, False beats in coupled piano string unisons
Volume 114 (2003)
No. 6 (December)
Brian H. Pandya, Gary S. Settles, and James D. Miller, Schlieren imaging of shock waves from a trumpet
Grégoire Derveaux, Antoine Chaigne, Patrick Joly, and Eliane Bécache, Time-domain simulation of a guitar: Model and method
No. 5 (November)
Jeremy Marozeau, Alain de Cheveigné, Stephen McAdams, and Suzanne Winsberg, The dependency of timbre on fundamental frequency
Joe Dickey, The structural dynamics of the American five-string banjo
No. 4 (October)
Jean-Pierre Dalmont, Joël Gilbert, and Sébastien Ollivier, Nonlinear characteristics of single-reed instruments: Quasistatic volume flow and reed opening measurements
Joe Wolfe and John Smith, Cutoff frequencies and cross fingerings in baroque, classical, and modern flutes
Werner Goebl and Roberto Bresin, Measurement and reproduction accuracy of computer-controlled grand pianos
No. 3 (September)
M. Jing, A theoretical study of the vibration and acoustics of ancient Chinese bells
No. 2 (August)
Julien Bensa, Stefan Bilbao, Richard Kronland-Martinet, and Julius O. Smith III, The simulation of piano string vibration: From physical models to finite difference schemes and digital waveguides
No. 1 (July)
Ana Barjau and Vincent Gibiat, Delayed models for simplified musical instruments
Neil McLachlan, Behzad Keramati Nigjeh, and Anton Hasell, The design of bells with harmonic overtones
Volume 113
(2003)
No. 5 (May)
Matteo L. Facchinetti, Xavier Boutillon, and Andrei Constantinescu, Numerical and experimental modal analysis of the reed and pipe of a clarinet
George Bissinger, Modal analysis of a violin octet
No. 3 (March)
George Bissinger, Wall compliance and violin cavity modes
S. Dequand, J. F. H. Willems, M. Leroux, R. Vullings, M. van Weert, C. Thieulot, and A. Hirschberg, Simplified models of flue instruments: Influence of mouth geometry on the sound source
Fabrice Pinard, Benoit Laine, and Holger Vach, Musical quality assessment of clarinet reeds using optical holography
No. 2 (February)
András Miklós, Judit Angster, Stephan Pitsch, and Thomas D. Rossing, Reed vibration in lingual organ pipes without the resonators
Takafumi Hikichi, Naotoshi Osaka, and Fumitada Itakura, Time-domain simulation of sound production of the sho
Ofer Amir, Noam Amir, and Liat Kishon-Rabin, The effect of superior auditory skills on vocal accuracy
No. 1 (January)
Maarten van Walstijn and Murray Campbell, Discrete-time modeling of woodwind instrument bores using wave variables
Volume 112
(2002)
No. 6 (December)
Eric Ducasse, An alternative to the traveling-wave approach for use in two-port descriptions of acoustic bores
Jie Pan, Xiaodong Li, Jing Tian, and Tanran Lin, Short sound decay of ancient Chinese music bells
No. 4 (October)
Cumhur Erkut, Matti Karjalainen, Patty Huang, and Vesa Välimäki, Acoustical analysis and model-based sound synthesis of the kantele
Volume 111
(2002)
No. 5 (May)
Ingo R. Titze, Brad Story, Marshall Smith, and Russel Long, A reflex resonance model of vocal vibrato
M. J. Elejabarrieta, A. Ezcurra, and C. Santamaría, Coupled modes of the resonance box of the guitar
Federico Avanzini and Davide Rocchesso, Efficiency, accuracy, and stability issues in discrete-time simulations of single reed wind instruments
No. 3 (March)
N. H. Fletcher, W. T. McGee, and A. Z. Tarnopolsky, Bell clapper impact dynamics and the voicing of a carillon
Volume 110 (2001)
No. 3 (September)
Alexander Galembo, Anders Askenfelt, Lola L. Cuddy, and Frank A. Russo, Effects of relative phases on pitch and timbre in the piano bass range
Kenneth Tom and Ingo R. Titze, Vocal intensity in falsetto phonation of a countertenor: An analysis by synthesis approach
No. 1 (July)
Lily M. Wang and Courtney B. Burroughs, Acoustic radiation from bowed violins
Michael W. Thompson and William J. Strong, Inclusion of wave steepening in a frequency-domain model of trombone sound production
Werner Goebl, Melody lead in piano performance: Expressive device or artifact?
Volume 109 (2001)
No. 6 (June)
R. Ranvaud, W. F. Thompson, L. Silveira-Moriyama, and L.-L. Balkwill, The speed of pitch resolution in a musical context
Volume 108 (2000)
No. 5 (November)
Gabriel Weinreich, Colin Holmes, and Maureen Mellody, Air-wood coupling and the Swiss-cheese violin
No. 2 (August)
Thomas D. Rossing, Uwe J. Hansen, and D. Scott Hampton, Vibrational mode shapes in Caribbean steelpans. I. Tenor and double second
No. 1 (July)
J. Woodhouse, R. T. Schumacher, and S. Garoff, Reconstruction of bowing point friction force in a bowed string
M. J. Elejabarrieta, A. Ezcurra, and C. Santamaría, Evolution of the vibrational behavior of a guitar soundboard along successive construction phases by means of the modal analysis technique
Georg Essl and Perry R. Cook, Measurements and efficient simulations of bowed bars
J. M. Harrison and N. Thompson-Allen, Constancy of loudness of pipe organ sounds at different locations in an auditorium
A. Z. Tarnopolsky, N. H. Fletcher, and J. C. S. Lai, Oscillating reed valves—An experimental study
Volume 107 (2000)
No. 6 (June)
Anna Runnemalm, Nils-Erik Molin, and Erik Jansson, On operating deflection shapes of the violin body including in-plane motions
G. R. Plitnik, Vibration characteristics of pipe organ reed tongues and the effect of the shallot, resonator, and reed curvature
No. 5 (May)
Richard J. Krantz and Jack Douthett, Construction and interpretation of equal-tempered scales using frequency ratios, maximally even sets, and P-cycles
No. 4 (April)
N. Giordano and J. P. Winans II, Piano hammers and their force compression characteristics: Does a power law make sense?
No. 1 (January)
Maureen Mellody and Gregory H. Wakefield, The time-frequency characteristics of violin vibrato: Modal distribution analysis and synthesis
Volume 106
(1999)
No. 5 (November)
Thomas D. Rossing and Gila Eban, Normal modes of a radially braced guitar determined by electronic TV holography
No. 2 (August)
E. Obataya and M. Norimoto, Acoustic properties of a reed (Arundo donax L.) used for the vibrating plate of a clarinet
George R. Plitnik and Bruce A. Lawson, An investigation of correlations between geometry, acoustic variables, and psychoacoustic parameters for French horn mouthpieces
No. 1 (July)
Volume 105
(1999)
No. 6 (June)
Xavier Boutillon and Gabriel Weinreich, Three-dimensional mechanical admittance: Theory and new measurement method applied to the violin bridge
Eiji Hayashi, Masami Yamane, and Hajime Mori, Behavior of piano-action in a grand piano. I. Analysis of the motion of the hammer prior to string contact
Leïla Rhaouti, Antoine Chaigne, and Patrick Joly, Time-domain modeling and numerical simulation of a kettledrum
Sten Ternström, Preferred self-to-other ratios in choir singing
No. 5 (May)
Seiji Adachi and Masashi Yamada, An acoustical study of sound production in biphonic singing, Xöömij
Ingo R. Titze, Russel Long, George I. Shirley, Elaine Stathopoulos, Lorraine O. Ramig, Linda M. Carroll, and William D. Riley, Messa di voce: An investigation of the symmetry of crescendo and decrescendo in a singing exercise
No. 3 (March)
Judith C. Brown, Computer identification of musical instruments using pattern recognition with cepstral coefficients as features
J. Bretos, C. Santamaría, and J. Alonso Moral, Vibrational patterns and frequency responses of the free plates and box of a violin obtained by finite element analysis
A. Barjau, D. H. Keefe, and S. Cardona, Time-domain simulation of acoustical waveguides with arbitrarily spaced discontinuities
Johan Sundberg, Maria Andersson, and Clara Hultqvist, Effects of subglottal pressure variation on professional baritone singers' voice sources
Bruno H. Repp, A microcosm of musical expression: II. Quantitative analysis of pianists' dynamics in the initial measures of Chopin's Etude in E major
No. 2 (February)
N. H. Fletcher and A. Tarnopolsky, Blowing pressure, power, and spectrum in trumpet playing
Stephen McAdams, James W. Beauchamp, and Suzanna Meneguzzi, Discrimination of musical instrument sounds resynthesized with simplified spectrotemporal parameters
No. 1 (January)
Harold A. Conklin, Jr., Generation of partials due to nonlinear mixing in a stringed instrument
Servaas J. J. M. F. Kokkelmans, Marc-Pierre Verge, A. Hirschberg, A. P. J. Wijnands, and R. L. M. Schoffelen, Acoustic behavior of chimney pipes
Volume 104
(1998)
No. 6 (December)
George Bissinger, A0 and A1 coupling, arching, rib height, and f-hole geometry dependence in the 2 degree-of-freedom network model of violin cavity modes
No. 3 (September)
Cornelis J. Nederveen, Influence of a toroidal bend on wind instrument tuning
Joël Gilbert, Sylvie Ponthus, and Jean-François Petiot, Artificial buzzing lips and brass instruments: Experimental results
Vincent Doutaut, Denis Matignon, and Antoine Chaigne, Numerical simulations of xylophones.
II. Time-domain modeling of the resonator and
of the radiated sound pressure
N. Giordano, Sound production by a vibrating piano soundboard: Experiment
A. W. Nolle, Sinuous instability of a planar air jet: Propagation parameters and acoustic excitation
Shigeru Yoshikawa, Jet-wave amplification in organ pipes
N. Giordano, Mechanical impedance of a piano soundboard
Myeong-Hwa Lee, Jeong-No Lee, and Kwang-Sup
Soh, Chaos in segments from Korean traditional singing and
Western singing No. 1 (January) Eric D. Scheirer,
Tempo
and beat analysis of acoustic musical signals