Musical Acoustics Papers Published in JASA
July 2006-July 2009
Vol. 126 (2009)
No. 1 (July)
Hiroshi Kinoshita and Satoshi Obata,
Left hand finger force in violin playing: Tempo, loudness, and finger
differences
Sally Collyer, Pamela J. Davis, C. William Thorpe, and Jean
Callaghan,
Fundamental frequency influences the relationship between sound pressure level
and spectral balance in female classically trained singers
Anke Grell, Johan Sundberg, Sten Ternström, Martin Ptok, and
Eckart Altenmüller,
Rapid pitch correction in choir singers
Simone Dalla Bella, Jean-François Giguère, and Isabelle Peretz,
Singing in congenital amusia
Vol. 125 (2009)
No. 6 (June)
Chandrika P. Vyasarayani, Stephen Birkett, and John
McPhee,
Modeling the dynamics of a compliant piano action mechanism impacting an elastic
stiff string
No. 5 (May)
Paris Smaragdis,
Relative-pitch tracking of multiple arbitrary sounds
No. 4 (April)
Diana Deutsch, Kevin Dooley, Trevor Henthorn, and
Brian Head,
Absolute pitch among students in an American music conservatory:
Association with tone language fluency
Alistair C. P. Braden, Michael J. Newton, and D.
Murray Campbell,
Trombone
bore optimization based on input impedance targets
No. 1 (January):
Andrew B. Horner, James W.
Beauchamp, and Richard H.Y. So,
Detection of time-varying harmonic amplitude alterations due to spectral
interpolations between musical instrument tones
Friederike Roers,
Dirk Mürbe, and
Johan Sundberg,
Voice classification and vocal tract of singers: A study of x-ray images and
morphology
Vol. 124 (2008)
No. 6 (December):
George Bissinger,
Structural acoustics model of the violin radiativity profile
Stefan T. Tomic and Petr Janata,
Beyond the beat:
Modeling metric structure in music and performance
No. 5 (November):
Laurie A. Stephey and
Thomas R. Moore,
Experimental investigation of an American five-string banjo
Fabrice Silva,
Jean Kergomard,
Christophe Vergez, and
Joël Gilbert,
Interaction of reed and acoustic resonator in clarinetlike systems
Lucie Bailly,
Xavier Pelorson,
Nathalie Henrich, and
Nicolas Ruty,
Influence of a constriction in the near field of the vocal folds: Physical
modeling and experimental validation
No. 4 (October):
Martin Ebeling,
Neuronal periodicity detection as a basis for the perception of consonance: A
mathematical model of tonal fusion
No. 3 (September):
Stephanie M. Stalinski,
E. Glenn Schellenberg, and
Sandra E. Trehub,
Developmental changes in the perception of pitch contour: Distinguishing up from
down
George
Bissinger,
Structural acoustics of good and bad violins
Chris Waltham
and Andrzej Kotlicki,
Vibrational characteristics of harp soundboards
No. 2 (August):
Guillaume Nief, Francois Gautier,
Jean-Pierre Dalmont, and Joel Gilbert,
Influence of wall vibrations on the behavior of a simplified wind instrument
No. 1 (July):
Diana Deutsch,
Kevin Dooley, and
Trevor Henthorn,
Pitch circularity from tones comprising full harmonic series
Vol. 123 (2008)
No. 1 (January):
David Gunawan and D. Sen,
Spectral envelope sensitivity of musical instrument sound
No. 2 (February):
L. E. McNeil and
S. Mitran,
Vibrational frequencies and tuning of the African mbira
No. 3 (March):
Jonas Braasch,
Acoustical measurements of expression devices in pipe organs
No. 4 (April):
Gary Scavone, Antoine Lefebre, Andrey R. de Silva,
Measurement of vocal-tract influence during saxophone performance
Adrien Mamou-Mani, Joel Frelat, and Charles Besnainou,
Numerical simulation of a piano soundboard under downbearing
Vol. 122 (2007)
No. 1 (July):
Shigeru Yoshikawa, Acoustical
classification of woods for string instruments
No. 2 (August):
Jean-Pierre Dalmont and Cyrille Frappe, Oscillation
and extinction thresholds of the clarinet: Comparison of analytical results and
experiments
No. 3 (September):
Andrey Ricardo da Silva, Gary P. Scavone, and Maarten van Walstijn, Numerical
simulations of fluid-structure interactions in single-reed mouthpieces
Heidi-Maria Lehtonen, Henri Penttinen, Jukka Rauhala,
and Vesa Valimaki, Analysis
and modeling of piano sustain-pedal effects
No. 4 (October):
Enza De Lauro, Salvatore De Martino, Enrico Esposito, Mariarosaria Falanga, and
Enrico Primo Tomasini, Analogical
model for mechanical vibrations in flue organ pipes inferred by independent
component analysis
No. 5 (November):
Renee Timmers, Perception
of music performance on historical and modern commercial recordings
Volume 121 (2007)
No. 1 (January):
Andre Almeida, Christophe Vergez, and Rene Causse, Quasistatic nonlinear
characteristics of double-reed instruments
John Smith, Guillaume Rey, Paul Dickens, Neville Fletcher, Lloyd Hollenberg, and
Joe Wolfe,
Vocal tract resonances and the sound of the Australian didjeridu (yidaki).
III. Determinants of playing quality
J-L. Le Carrou, F. Gautier, and E. Foltete, Experimental study of A0 and T1
modes of the concert harp
No. 2 (February):
Simone Dalla Bella, Jean-Francois Giguere, and Isabelle Peretz, Singing
proficiency in the general population
No. 3 (March):
Sally Collyer, Pamela J. Davis, C. William Thorpe, and Jean Callaghan, Sound
pressure level and spectral balance linearity and symmetry in the messa di voce
of female classical singers
No. 4 (April):
Toby J. W. Hill and Ian R. Summers, Discrimination of interval size in short
tone sequences
Christoph Buksnowitz, Alfred Teischinger, Ulrich Muller, Andreas Pahler, and
Robert Evans, Resonance wood [Picea abies (L.) Karst.] -- evaluation and
prediction of violin makers' quality-grading
Philippe Guillemain, Some roles of the vocal tract in clarinet breath attacks:
Natural sounds analysis and model-based synthesis
Mitsuko Aramaki, Henri Bailleres, Loic Brancheriau, Richard Kronland-Martinet,
and Solvi Ystad, Sound quality assessment of wood for xylophone bars
No. 5 (May):
Hiroshi Kinoshita, Shinichi Furuya, Tomoko Aoki, and Eckart Altenmuller, Loudness control in pianists as exemplified in keystroke force measurements on
different touches
No. 6 (June):
George Bissinger, Earl G. Williams, and Nicolas Valdivia, Violin f-hole
contribution to far-field radiation via patch near-field acoustical holography
Volume 120 (2006)
No. 1 (July):
George Bissinger, The violin bridge as filter
No. 4 (October):
John W. Coltman, Jet offset, harmonic content, and warble in the flute
No. 6 (December):
Henri Penttinen, Jyri Pakarinen, Vesa Valimaki, Mikael Laurson, Henbing Li, and
Marc Leman, Model-based sound synthesis of the guqin