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mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman","serif";} </style> <![endif]--> <meta name=CREATED content="0;0"> <meta name=CHANGEDBY content="Kyle Hershey"> <meta name=CHANGED content="20100327;15111200"> <meta http-equiv=Content-Language content=en-us> <!--[if gte mso 9]><xml> <o:shapedefaults v:ext="edit" spidmax="3074"/> </xml><![endif]--><!--[if gte mso 9]><xml> <o:shapelayout v:ext="edit"> <o:idmap v:ext="edit" data="1"/> </o:shapelayout></xml><![endif]--> </head> <body bgcolor=white lang=EN-US link=blue vlink=purple style='tab-interval:.5in'> <div class=Section1> <p class=style17 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'><span style='font-size:13.5pt'>Musical Acoustics Papers Published in JASA </span></p> <p class=style18 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'><i><span style='font-size:13.5pt'>January 1998-February 2010</span></i><br> &nbsp;</p> <p class=style25 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'><i style='mso-bidi-font-style:normal'><u><span style='color:#C00000'>Vol. 127 (2010)<o:p></o:p></span></u></i></p> <p class=style18 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'><i style='mso-bidi-font-style:normal'>No. 5 (May)<o:p></o:p></i></p> <p class=style18 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'><span style='font-weight:normal; mso-bidi-font-weight:bold'>Ana Navarro <span class=SpellE>Cebrian</span> and <span class=SpellE>Petr</span> <span class=SpellE>Janata</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000127000005003189000001&amp;idtype=cvips&amp;gifs=Yes">Influences of multiple memory systems on auditory mental image acuity</a><o:p></o:p></span></p> <p class=style18 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'><span style='font-weight:normal; mso-bidi-font-weight:bold'>Jean-<span class=SpellE>Loic</span> Le <span class=SpellE>Carrou</span>, Quentin <span class=SpellE>Leclere</span>, and Francois Gautier, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000127000005003203000001&amp;idtype=cvips&amp;gifs=Yes">Some characteristics of the concert harp's acoustic radiation</a><o:p></o:p></span></p> <p class=style18 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'><span style='font-weight:normal; mso-bidi-font-weight:bold'>Lucie <span class=SpellE>Bailly</span>, Nathalie <span class=SpellE>Henrich</span>, and Xavier <span class=SpellE>Pelorson</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000127000005003212000001&amp;idtype=cvips&amp;gifs=Yes">Vocal fold and ventricular fold vibration in period-doubling phonation: Physiological description and aerodynamic modeling</a><o:p></o:p></span></p> <p class=style18 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'><span style='font-weight:normal; mso-bidi-font-weight:bold'>Ann-Christine <span class=SpellE>Mecke</span> and Johan <span class=SpellE>Sundberg</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000127000005003223000001&amp;idtype=cvips&amp;gifs=Yes">Gender differences in children's singing voices: Acoustic analyses and results of a listening test</a><o:p></o:p></span></p> <p class=style18 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'><span style='font-weight:normal; mso-bidi-font-weight:bold'>Molly E. Jones, Kent L. Gee, and Jeremy <span class=SpellE>Grimshaw</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN0001270000050EL197000001&amp;idtype=cvips&amp;gifs=Yes"><span class=SpellE>Vibrational</span> characteristics of Balinese gamelan <span class=SpellE>metallophones</span></a><o:p></o:p></span></p> <p class=style18 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'><o:p>&nbsp;</o:p></p> <p class=style18 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'><i style='mso-bidi-font-style:normal'>No. 2 (February) <o:p></o:p></i></p> <p class=style1><strong><span style='font-weight:normal'>Pablo L. <span class=SpellE>Rendón</span>, Felipe <span class=SpellE>Orduña</span>-Bustamante, Daniela <span class=SpellE>Narezo</span>, Antonio <span class=SpellE>Pérez-López</span>, and Jacques <span class=SpellE>Sorrentini</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000127000002001096000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Nonlinear progressive waves in a slide trombone resonator </a></span></strong></p> <p class=style21 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'>&nbsp;</p> <p class=style21 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'><strong><i style='mso-bidi-font-style: normal'>No.1 (January)</i></strong><i style='mso-bidi-font-style:normal'><o:p></o:p></i></p> <p class=style21 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'><span class=SpellE>Katja</span> <span class=SpellE>Saupe</span>, Stefan <span class=SpellE>Koelsch</span>, and Rudolf <span class=SpellE>Rübsamen</span>,<span class=GramE>&nbsp; </span><a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000127000001000472000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Spatial selective attention in a complex auditory environment such as polyphonic music </a></p> <p class=style1>Chao-Yang Lee and <span class=SpellE>Yuh</span>-Fang Lee, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000127000001000481000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Perception of musical pitch and lexical tones by Mandarin-speaking musicians </a></p> <p class=style1>Daniel L. Bowling, <span class=SpellE>Kamraan</span> Gill, Jonathan D. <span class=SpellE>Choi</span>, Joseph <span class=SpellE>Prinz</span>, and Dale <span class=SpellE>Purves</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000127000001000491000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Major and minor music compared to excited and subdued speech </a></p> <p class=style1>Sean Hutchins, Jean Mary <span class=SpellE>Zarate</span>, Robert J. <span class=SpellE>Zatorre</span>, and Isabelle <span class=SpellE>Peretz</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000127000001000504000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">An acoustical study of vocal pitch matching in congenital <span class=SpellE>amusia</span></a></p> <p class=style1>Claudia Fritz, Jim Woodhouse, Felicia P.-H. Cheng, Ian Cross, Alan F. Blackwell, and Brian C. J. Moore, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000127000001000513000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Perceptual studies of violin body damping and vibrato </a></p> <p class=style1>Randy Worland, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000127000001000525000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Normal modes of a musical drumhead under non-uniform tension </a></p> <p class=style1>Vincent <span class=SpellE>Verfaille</span>, Philippe <span class=SpellE>Depalle</span>, and Marcelo M. <span class=SpellE>Wanderley</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000127000001000534000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Detecting overblown flute fingerings from the residual noise spectrum </a></p> <p class=style18 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'>&nbsp;</p> <p class=style18 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'><i style='mso-bidi-font-style:normal'><u><span style='color:#C00000'>Vol. 126 (2009)</span></u><span style='color:#C00000'><o:p></o:p></span></i></p> <p class=style19 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'><i style='mso-bidi-font-style:normal'>No. 5 (November)<o:p></o:p></i></p> <p class=style1>&nbsp; E. <span class=SpellE>Schoonderwaldt</span> and M. <span class=SpellE>Demoucron</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000126000005002695000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Extraction of bowing parameters from violin performance combining motion capture and sensors</a></p> <p class=style20 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'>E. <span class=SpellE>Schoonderwaldt</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000126000005002709000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">The player and the bowed string: Coordination of bowing parameters in violin and viola performance </a></p> <p class=style20 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'>&nbsp;</p> <p class=style20 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'><strong><i style='mso-bidi-font-style: normal'>No. 3 (September)</i></strong><i style='mso-bidi-font-style:normal'><o:p></o:p></i></p> <p class=style1><span class=SpellE>Jer</span>-Ming Chen, John Smith, and Joe Wolfe, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000126000003001511000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Pitch bending and glissandi on the clarinet: Roles of the vocal tract and partial tone <span class=GramE>hole</span> closure </a></p> <p class=style1>André Almeida, Renee Chow, John Smith, and Joe Wolfe, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000126000003001521000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">The kinetics and acoustics of fingering and note transitions on the flute</a></p> <p class=style1>Ingo R. <span class=SpellE>Titze</span> and Albert S. Worley, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000126000003001530000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Modeling source-filter interaction in belting and high-pitched operatic male singing </a></p> <p class=style1>&nbsp;</p> <p class=style20 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'><strong><i style='mso-bidi-font-style: normal'>No. 2 (August)</i></strong><i style='mso-bidi-font-style:normal'><o:p></o:p></i></p> <p class=style1>Hubert J. <span class=SpellE>Außerlechner</span>, Thomas <span class=SpellE>Trommer</span>, <span class=SpellE>Judit</span> <span class=SpellE>Angster</span>, and <span class=SpellE>András</span> <span class=SpellE>Miklós</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000126000002000878000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Experimental jet velocity and edge tone investigations on a foot model of an organ pipe </a></p> <p class=style20 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'>&nbsp;</p> <p class=style19 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'><em>No. 1 (July)</em></p> <p class=style20 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'>Hiroshi Kinoshita and Satoshi Obata, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000126000001000388000001&amp;idtype=cvips&amp;gifs=Yes">Left hand finger force in violin playing: Tempo, loudness, and finger differences </a></p> <p class=style20 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'>Sally <span class=SpellE>Collyer</span>, Pamela J. Davis, C. William Thorpe, and Jean Callaghan, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000126000001000396000001&amp;idtype=cvips&amp;gifs=Yes">Fundamental frequency influences the relationship between sound pressure level and spectral balance in female classically trained singers </a></p> <p class=style20 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'><span class=SpellE>Anke</span> <span class=SpellE>Grell</span>, Johan <span class=SpellE>Sundberg</span>, <span class=SpellE>Sten</span> <span class=SpellE>Ternström</span>, Martin <span class=SpellE>Ptok</span>, and <span class=SpellE>Eckart</span> <span class=SpellE>Altenmüller</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000126000001000407000001&amp;idtype=cvips&amp;gifs=Yes">Rapid pitch correction in choir singers </a></p> <p class=style20 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'>Simone <span class=SpellE>Dalla</span> Bella, Jean-François <span class=SpellE>Giguère</span>, and Isabelle <span class=SpellE>Peretz</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000126000001000414000001&amp;idtype=cvips&amp;gifs=Yes">Singing in congenital <span class=SpellE>amusia</span></a></p> <p class=style18 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'>&nbsp;</p> <p class=style18 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'><i style='mso-bidi-font-style:normal'><u><span style='color:#C00000'>Vol. 125 (2009)</span></u><span style='color:#C00000'><o:p></o:p></span></i></p> <p class=style20 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'><em><b>No. 6 (June)</b></em></p> <p class=style20 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'><span class=SpellE>Chandrika</span> P. <span class=SpellE>Vyasarayani</span>, Stephen <span class=SpellE>Birkett</span>, and John <span class=SpellE>McPhee</span>,<span class=GramE>&nbsp; </span><a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000125000006004034000001&amp;idtype=cvips&amp;gifs=Yes">Modeling the dynamics of a compliant piano action mechanism impacting an elastic stiff string </a></p> <p class=style20 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'>&nbsp;</p> <p class=style20 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'><em><b>No. 5 (May)</b></em></p> <p class=style20 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'>Paris <span class=SpellE>Smaragdis</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000125000005003406000001&amp;idtype=cvips&amp;gifs=Yes">Relative-pitch tracking of multiple arbitrary sounds </a></p> <p class=style21 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'>&nbsp;</p> <p class=style21 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'><em><b>No. 4 (April)</b></em></p> <p class=style22 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'>Diana Deutsch, Kevin Dooley, Trevor <span class=SpellE>Henthorn</span>, and Brian Head, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000125000004002398000001&amp;idtype=cvips&amp;gifs=Yes">Absolute pitch among students in an American music conservatory: Association with tone language fluency </a></p> <p class=style22 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'>Alistair C. P. Braden, Michael J. Newton, and D. Murray Campbell, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000125000004002404000001&amp;idtype=cvips&amp;gifs=Yes">&nbsp;Trombone bore optimization based on input impedance targets </a></p> <p class=style18 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'><u><span style='color:maroon'><br> </span></u><i>No. 1 (January):</i></p> <p class=style21 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'><span class=GramE>Andrew B. Horner, James W. Beauchamp, and Richard H.Y.</span> So, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000125000001000492000001&amp;idtype=cvips&amp;gifs=Yes">Detection of time-varying harmonic amplitude alterations due to spectral interpolations between musical instrument tones</a> </p> <p class=style27 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'><span class=SpellE>Friederike</span> <span class=SpellE>Roers</span>, Dirk <span class=SpellE>Mürbe</span>, and Johan <span class=SpellE>Sundberg</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000125000001000503000001&amp;idtype=cvips&amp;gifs=Yes">Voice classification and vocal tract of singers: A study of x-ray images and morphology</a></p> <p class=style18 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'><br> <i style='mso-bidi-font-style:normal'><u><span style='color:#C00000'>Vol. 124 (2008<span class=GramE>)</span></span></u></i><u><span style='color:maroon'><br> </span></u><i>No. 6 (December):</i></p> <p class=style21 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'>George <span class=SpellE>Bissinger</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000124000006004013000001&amp;idtype=cvips&amp;gifs=Yes">Structural acoustics model of the violin <span class=SpellE>radiativity</span> profile</a></p> <p class=style21 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'>Stefan T. <span class=SpellE>Tomic</span> and <span class=SpellE>Petr</span> <span class=SpellE>Janata</span>, <span class=GramE>Beyond</span> the beat: <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000124000006004024000001&amp;idtype=cvips&amp;gifs=Yes">Modeling metric structure in music and performance</a></p> <p class=style21 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'>&nbsp;</p> <p class=style17 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'>No. 5 (November):</p> <p class=style27 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'>Laurie A. <span class=SpellE>Stephey</span> and Thomas R. Moore, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000124000005003276000001&amp;idtype=cvips&amp;gifs=Yes">Experimental investigation of an American five-string banjo</a></p> <p class=style27 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'><span class=SpellE>Fabrice</span> Silva, Jean <span class=SpellE>Kergomard</span>, Christophe <span class=SpellE>Vergez</span>, and <span class=SpellE>Joël</span> Gilbert, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000124000005003284000001&amp;idtype=cvips&amp;gifs=Yes">Interaction of reed and acoustic resonator in <span class=SpellE>clarinetlike</span> systems</a></p> <p class=style27 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'>Lucie <span class=SpellE>Bailly</span>, Xavier <span class=SpellE>Pelorson</span>, Nathalie <span class=SpellE>Henrich</span>, and Nicolas <span class=SpellE>Ruty</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000124000005003296000001&amp;idtype=cvips&amp;gifs=Yes">Influence of a constriction in the near field of the vocal folds: Physical modeling and experimental validation </a></p> <p class=style21 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'>&nbsp;</p> <p class=style2>No. 4 (October):</p> <p class=style1>Martin <span class=SpellE>Ebeling</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000124000004002320000001&amp;idtype=cvips&amp;gifs=Yes">Neuronal periodicity detection as a basis for the perception of consonance: A mathematical model of tonal fusion </a></p> <p class=style1>&nbsp;</p> <p class=style2>No. 3 (September):</p> <p class=style1>Stephanie M. <span class=SpellE>Stalinski</span>, E. Glenn <span class=SpellE>Schellenberg</span>, and Sandra E. <span class=SpellE>Trehub</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000124000003001759000001&amp;idtype=cvips&amp;gifs=Yes">Developmental changes in the perception of pitch contour: Distinguishing up from down</a></p> <p class=style1>George <span class=SpellE>Bissinger</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000124000003001764000001&amp;idtype=cvips&amp;gifs=Yes">Structural acoustics of good and bad violins</a></p> <p class=style1>Chris Waltham and <span class=SpellE>Andrzej</span> <span class=SpellE>Kotlicki</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000124000003001774000001&amp;idtype=cvips&amp;gifs=Yes"><span class=SpellE>Vibrational</span> characteristics of harp soundboards</a></p> <p class=style1>&nbsp;</p> <p class=style21 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'><b><i>No. 2 (August):</i><br> </b>Guillaume <span class=SpellE>Nief</span>, Francois Gautier, Jean-Pierre <span class=SpellE>Dalmont</span>, and Joel Gilbert, <strong><span style='font-weight: normal'><a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000124000002001320000001&amp;idtype=cvips&amp;gifs=Yes&amp;type=ALERT">Influence of wall vibrations on the behavior of a simplified wind instrument</a></span></strong><br> <b><i><br> No. 1 (July):</i><br> </b>Diana Deutsch<span style='mso-bidi-font-weight:bold'>, Kevin Dooley, and Trevor <span class=SpellE>Henthorn</span><b>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000124000001000589000001&amp;idtype=cvips&amp;gifs=Yes">Pitch circularity from tones comprising full harmonic series</a></b></span></p> <p class=style21 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'>&nbsp;</p> <p class=style18 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'><i style='mso-bidi-font-style:normal'><u><span style='color:#C00000'>Vol. 123 (2008<span class=GramE>)</span></span></u></i><u><span style='color:maroon'><br> </span></u><i>No. 1 (January):</i><br> <span style='font-weight:normal'>David <span class=SpellE>Gunawan</span> and D. <span class=SpellE>Sen</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000123000001000500000001&amp;idtype=cvips&amp;gifs=Yes">Spectral envelope sensitivity of musical instrument sound</a></span></p> <p class=style1>&nbsp;</p> <p class=style1><b><i>No. 2 (February):</i><br> </b>L. E. McNeil <span style='mso-bidi-font-weight:bold'>and S. <span class=SpellE>Mitran</span>,<b> <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000123000002001169000001&amp;idtype=cvips&amp;gifs=Yes"><span class=SpellE>Vibrational</span> frequencies and tuning of the African <span class=SpellE>mbira</span></a></b></span></p> <p class=style1>&nbsp;</p> <p class=style1><b><i>No. 3 (March)<span class=GramE>:</span></i><br> </b>Jonas <span class=SpellE>Braasch</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000123000003001683000001&amp;idtype=cvips&amp;gifs=Yes">Acoustical measurements of expression devices in pipe organs</a></p> <p class=style1><b><i><o:p>&nbsp;</o:p></i></b></p> <p class=style1><b><i>No. 4 (April):</i><br> </b>Gary <span class=SpellE>Scavone</span>, Antoine <span class=SpellE>Lefebre</span>, <span class=SpellE>Andrey</span> R. de Silva, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000123000004002391000001&amp;idtype=cvips&amp;gifs=Yes">Measurement of vocal-tract influence during saxophone performance</a><b><br> <br> </b><span class=SpellE>Adrien</span> <span class=SpellE>Mamou</span>-Mani, Joel <span class=SpellE>Frelat</span>, and Charles <span class=SpellE>Besnainou</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000123000004002401000001&amp;idtype=cvips&amp;gifs=Yes">Numerical simulation of a piano soundboard under <span class=SpellE>downbearing</span></a></p> <p class=style18 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'><u><span style='color:#C00000'><o:p><span style='text-decoration:none'>&nbsp;</span></o:p></span></u></p> <p class=style18 style='margin-top:0in;margin-right:0in;margin-bottom:0in; margin-left:2.9pt;margin-bottom:.0001pt'><i style='mso-bidi-font-style:normal'><u><span style='color:#C00000'>Vol. 122 (2007<span class=GramE>)</span></span></u></i><br> <i>No. 1 (July):</i><br> <span style='font-weight:normal'>Shigeru Yoshikawa,&nbsp; <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000122000001000568000001&amp;idtype=cvips&amp;gifs=Yes">Acoustical classification of woods for string instruments</a></span></p> <p class=style1><b><i><o:p>&nbsp;</o:p></i></b></p> <p class=style1><b><i>No. 2 (August)<span class=GramE>:</span></i></b><br> Jean-Pierre <span class=SpellE>Dalmont</span> and <span class=SpellE>Cyrille</span> Frappe, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000122000002001173000001&amp;idtype=cvips&amp;gifs=Yes">Oscillation and extinction thresholds of the clarinet: Comparison of analytical results and experiments</a> </p> <p class=style1><b><i><o:p>&nbsp;</o:p></i></b></p> <p class=style1><b><i>No. 3 (September):</i><br> </b><span class=SpellE>Andrey</span> Ricardo <span class=SpellE>da</span> Silva, Gary P. <span class=SpellE>Scavone</span>, and Maarten van <span class=SpellE>Walstijn</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000122000003001798000001&amp;idtype=cvips&amp;gifs=Yes">Numerical simulations of fluid-structure interactions in single-reed mouthpieces</a><br> Heidi-Maria <span class=SpellE>Lehtonen</span>, Henri <span class=SpellE>Penttinen</span>, <span class=SpellE>Jukka</span> <span class=SpellE>Rauhala</span>, and <span class=SpellE>Vesa</span> <span class=SpellE>Valimaki</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000122000003001787000001&amp;idtype=cvips&amp;gifs=Yes">Analysis and modeling of piano sustain-pedal effects</a></p> <p class=style1><b><i><o:p>&nbsp;</o:p></i></b></p> <p class=style1><b><i>No. 4 (October):</i><br> </b><span class=SpellE>Enza</span> De <span class=SpellE>Lauro</span>, Salvatore De Martino, <span class=SpellE>Enrico</span> Esposito, <span class=SpellE>Mariarosaria</span> <span class=SpellE>Falanga</span>, and <span class=SpellE>Enrico</span> Primo <span class=SpellE>Tomasini</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000122000004002413000001&amp;idtype=cvips&amp;gifs=Yes">Analogical model for mechanical vibrations in flue organ pipes inferred by independent component analysis</a></p> <p class=style1><b><i><o:p>&nbsp;</o:p></i></b></p> <p class=style1><b><i>No. 5 (November)<span class=GramE>:</span></i><br> </b>Renee <span class=SpellE>Timmers</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000122000005002872000001&amp;idtype=cvips&amp;gifs=Yes">Perception of music performance on historical and modern commercial recordings</a></p> <p class=style1><b><i><u><span style='color:maroon'><o:p><span style='text-decoration:none'>&nbsp;</span></o:p></span></u></i></b></p> <p class=style1><b><i><u><span style='color:#C00000'>Volume 121 (2007)</span></u></i><br> <i>No. 1 (January):</i><br> </b>Andre Almeida, Christophe <span class=SpellE>Vergez</span>, and Rene <span class=SpellE>Causse</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000121000001000536000001&amp;idtype=cvips&amp;gifs=Yes"><span class=SpellE>Quasistatic</span> nonlinear characteristics of double-reed instruments</a><b><br> </b><span style='mso-bidi-font-weight:bold'>John Smith, Guillaume Rey, Paul Dickens, Neville Fletcher, Lloyd <span class=SpellE>Hollenberg</span>, and Joe Wolfe,<b> <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000121000001000547000001&amp;idtype=cvips&amp;gifs=Yes">Vocal tract resonances and the sound of the Australian <span class=SpellE>didjeridu</span> (<span class=SpellE>yidaki</span>). III. Determinants of playing quality</a><br> </b>J-L. Le <span class=SpellE>Carrou</span>, F. Gautier, and E. <span class=SpellE>Foltete</span>,<b> <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000121000001000559000001&amp;idtype=cvips&amp;gifs=Yes">Experimental study of A0 and T1 modes of the concert harp</a><br> <br> <i>No. 2 (February):</i><br> </b></span>Simone <span class=SpellE>Dalla</span> Bella, Jean-Francois <span class=SpellE>Giguere</span>, and Isabelle <span class=SpellE>Peretz</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000121000002001182000001&amp;idtype=cvips&amp;gifs=Yes">Singing proficiency in the general population</a><b><br> <br> <i>No. 3 (March):</i><br> </b>Sally <span class=SpellE>Collyer</span>, Pamela J. Davis, C. William Thorpe, and Jean Callaghan, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000121000003001728000001&amp;idtype=cvips&amp;gifs=Yes">Sound pressure level and spectral balance linearity and symmetry in the <span class=SpellE>messa</span> <span class=SpellE>di</span> voce of female classical singers</a><b><br> <br> <i>No. 4 (April):</i><br> </b>Toby J. W. Hill and Ian R. Summers, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000121000004002376000001&amp;idtype=cvips&amp;gifs=Yes">Discrimination of interval size in short tone sequences</a><b><br> </b><span class=SpellE>Christoph</span> <span class=SpellE>Buksnowitz</span>, Alfred <span class=SpellE>Teischinger</span>, Ulrich Muller, Andreas <span class=SpellE>Pahler</span>, and Robert Evans, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000121000004002384000001&amp;idtype=cvips&amp;gifs=Yes">Resonance wood [<span class=SpellE><i>Picea</i></span><i> <span class=SpellE>abies</span></i> (L.) <span class=SpellE><span class=GramE>Karst</span></span><span class=GramE>.]</span> -- evaluation and prediction of violin makers' quality-grading</a><br> Philippe <span class=SpellE>Guillemain</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000121000004002396000001&amp;idtype=cvips&amp;gifs=Yes">Some roles of the vocal tract in clarinet breath attacks: Natural sounds analysis and model-based synthesis</a><br> <span class=SpellE>Mitsuko</span> <span class=SpellE>Aramaki</span>, Henri <span class=SpellE>Bailleres</span>, <span class=SpellE>Loic</span> <span class=SpellE>Brancheriau</span>, Richard <span class=SpellE>Kronland</span>-Martinet, and <span class=SpellE>Solvi</span> <span class=SpellE>Ystad</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000121000004002407000001&amp;idtype=cvips&amp;gifs=Yes">Sound quality assessment of wood for xylophone bars</a><b><br> <br> <i>No. 5 (May):</i><br> </b>Hiroshi Kinoshita, Shinichi <span class=SpellE>Furuya</span>, Tomoko Aoki, and <span class=SpellE>Eckart</span> <span class=SpellE>Altenmuller</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000121000005002959000001&amp;idtype=cvips&amp;gifs=Yes">Loudness control in pianists as exemplified in keystroke force measurements on different touches</a><b><br> <br> <i>No. 6 (June):</i><br> </b>George <span class=SpellE>Bissinger</span>, Earl G. Williams, and Nicolas Valdivia, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000121000006003899000001&amp;idtype=cvips&amp;gifs=Yes">Violin f-hole contribution to far-field radiation via patch near-field acoustical holography</a></p> <p class=style1><b><i><u><span style='color:maroon'><o:p><span style='text-decoration:none'>&nbsp;</span></o:p></span></u></i></b></p> <p class=style1><b><i><u><span style='color:#C00000'>Volume 120 (2006)</span></u></i><br> <i>No. 1 (July):</i><br> </b>George <span class=SpellE>Bissinger</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000120000001000482000001&amp;idtype=cvips&amp;gifs=Yes">The violin bridge as filter</a><b><br> <br> <i>No. 4 (October)</i>:<br> </b>John W. <span class=SpellE>Coltman</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000120000004002312000001&amp;idtype=cvips&amp;gifs=Yes">Jet offset, harmonic content, and warble in the flute</a><b><br> <br> <i>No. 6 (December):</i><br> </b>Henri <span class=SpellE>Penttinen</span>, <span class=SpellE>Jyri</span> <span class=SpellE>Pakarinen</span>, <span class=SpellE>Vesa</span> <span class=SpellE>Valimaki</span>, <span class=SpellE>Mikael</span> <span class=SpellE>Laurson</span>, <span class=SpellE>Henbing</span> Li, and Marc Leman, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000120000006004052000001&amp;idtype=cvips&amp;gifs=Yes">Model-based sound synthesis of the <span class=SpellE>guqin</span></a><b><br> &nbsp;</b></p> <p class=style1><b><i style='mso-bidi-font-style:normal'><u><span style='color:#C00000'>Volume 119 (2006)</span></u></i></b><i style='mso-bidi-font-style: normal'><u><span style='color:#C00000'><o:p></o:p></span></u></i></p> <p class=style1><strong><i style='mso-bidi-font-style:normal'>No. 5 (May)</i></strong><i style='mso-bidi-font-style:normal'><o:p></o:p></i></p> <p class=style1><span class=SpellE>András</span> <span class=SpellE>Miklós</span>, <span class=SpellE>Judit</span> <span class=SpellE>Angster</span>, Stephan <span class=SpellE>Pitsch</span>, and Thomas D. <span class=SpellE>Rossing</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000119000005003121000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Interaction of reed and resonator by sound generation in a reed organ pipe</a></p> <p class=style1>&nbsp;</p> <p class=style1><strong><i style='mso-bidi-font-style:normal'>No. 4 (April)</i></strong><i style='mso-bidi-font-style:normal'><o:p></o:p></i></p> <p class=style1>M. Abel, S. <span class=SpellE>Bergweiler</span>, and R. Gerhard-<span class=SpellE>Multhaupt</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000119000004002467000001&amp;idtype=cvips&amp;gifs=Yes">Synchronization of organ pipes: experimental observations and modeling</a></p> <p class=style1>Thomas M. Huber, <span class=SpellE>Mostafa</span> <span class=SpellE>Fatemi</span>, Randy <span class=SpellE>Kinnick</span>, and James Greenleaf, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000119000004002476000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Noncontact modal analysis of a pipe organ reed using airborne ultrasound stimulated <span class=SpellE>vibrometry</span> </a></p> <p class=style1><span class=SpellE>Ixone</span> <span class=SpellE>Arroabarren</span> and Alfonso <span class=SpellE>Carlosena</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000119000004002483000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Effect of the glottal source and the vocal tract on the partials amplitude of vibrato in male voices </a></p> <p class=style1>Manuel Davy, Simon <span class=SpellE>Godsill</span>, and <span class=SpellE>Jérôme</span> <span class=SpellE>Idier</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000119000004002498000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Bayesian analysis of polyphonic western tonal music </a></p> <p class=style1>&nbsp;</p> <p class=style1><strong><i style='mso-bidi-font-style:normal'>No. 3 (March)</i></strong><i style='mso-bidi-font-style:normal'><o:p></o:p></i></p> <p class=style1>Thomas R. Moore and Sarah A. <span class=SpellE>Zietlow</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000119000003001783000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no"><span class=SpellE>Interferometric</span> studies of a piano soundboard </a></p> <p class=style1><span class=SpellE>Snorre</span> <span class=SpellE>Farner</span>, Christophe <span class=SpellE>Vergez</span>, Jean <span class=SpellE>Kergomard</span>, and <span class=SpellE>Aude</span> <span class=SpellE>Lizée</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000119000003001794000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Contribution to harmonic balance calculations of self-sustained periodic oscillations with focus on single-reed instruments </a></p> <p class=style1>Paul <span class=SpellE>Boersma</span> and <span class=SpellE>Gordana</span> <span class=SpellE>Kovacic</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000119000003001805000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Spectral characteristics of three styles of Croatian folk singing </a></p> <p class=style1>&nbsp;</p> <p class=style1><strong><i style='mso-bidi-font-style:normal'>No. 2 (February)</i></strong><i style='mso-bidi-font-style:normal'><o:p></o:p></i></p> <p class=style1>Petri <span class=SpellE>Toiviainen</span> and <span class=SpellE>Tuomas</span> <span class=SpellE>Eerola</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000119000002001164000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Autocorrelation in meter induction: The role of accent structure </a></p> <p class=style1>Bruno L. Giordano and Stephen McAdams, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000119000002001171000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Material identification of real impact sounds: Effects of size variation in steel, glass, wood, and <span class=SpellE>plexiglass</span> plates</a></p> <p class=style1>W. Luke Windsor, Peter <span class=SpellE>Desain</span>, Amandine <span class=SpellE>Penel</span>, and <span class=SpellE>Michiel</span> <span class=SpellE>Borkent</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000119000002001182000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">A structurally guided method for the decomposition of expression in music performance </a></p> <p class=style1>Alex Z. <span class=SpellE>Tarnopolsky</span>, Neville H. Fletcher, Lloyd C. L. <span class=SpellE>Hollenberg</span>, Benjamin D. Lange, John Smith, and Joe Wolfe, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000119000002001194000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Vocal tract resonances and the sound of the Australian <span class=SpellE>didjeridu</span> (<span class=SpellE>yidaki</span>) I. Experiment </a></p> <p class=style1>N. H. Fletcher, L. C. L. <span class=SpellE>Hollenberg</span>, J. Smith, A. Z. <span class=SpellE>Tarnopolsky</span>, and J. Wolfe, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000119000002001205000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Vocal tract resonances and the sound of the Australian <span class=SpellE>didjeridu</span> (<span class=SpellE>yidaki</span>) II. Theory</a> </p> <p class=style1>&nbsp;</p> <p class=style1><strong><i style='mso-bidi-font-style:normal'><u><span style='color:#C00000'>Volume 118 (2005)</span></u></i></strong><i style='mso-bidi-font-style:normal'><u><span style='color:#C00000'><o:p></o:p></span></u></i></p> <p class=style1><strong><i style='mso-bidi-font-style:normal'>No. 6 (December)</i></strong><i style='mso-bidi-font-style:normal'><o:p></o:p></i></p> <p class=style1><span class=SpellE>Sten</span> <span class=SpellE>Ternström</span>, <span class=SpellE>Densil</span> Cabrera, and Pamela Davis, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000118000006003903000001&amp;idtype=cvips&amp;gifs=Yes">Self-to-other ratios measured in an opera chorus in performance</a></p> <p class=style1>&nbsp;</p> <p class=style1><strong><i style='mso-bidi-font-style:normal'>No.5 (November)</i></strong><i style='mso-bidi-font-style:normal'><o:p></o:p></i></p> <p class=style1>Jean-Pierre <span class=SpellE>Dalmont</span>, <span class=SpellE>Joël</span> Gilbert, Jean <span class=SpellE>Kergomard</span>, and <span class=SpellE>Sébastien</span> <span class=SpellE>Ollivier</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000118000005003294000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">An analytical prediction of the oscillation and extinction thresholds of a clarinet </a></p> <p class=style1>Claudia Fritz and Joe Wolfe, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000118000005003306000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">How do clarinet players adjust the resonances of their vocal tracts for different playing effects? </a></p> <p class=style1>Stefan Bilbao, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000118000005003316000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Conservative numerical methods for nonlinear strings </a></p> <p class=style1>&nbsp;</p> <p class=style1><strong><i style='mso-bidi-font-style:normal'>No. 4 (October)</i></strong><i style='mso-bidi-font-style:normal'><o:p></o:p></i></p> <p class=style1>J. Gilbert, L. Simon, and J. <span class=SpellE>Terroir</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000118000004002649000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Vibrato of saxophones </a></p> <p class=style1>Emilie <span class=SpellE>Poirson</span>, Jean-François <span class=SpellE>Petiot</span>, and <span class=SpellE>Joël</span> Gilbert, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000118000004002656000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Study of the brightness of trumpet tones </a></p> <p class=style1>&nbsp;</p> <p class=style1><strong><i style='mso-bidi-font-style:normal'>No. 3 (September)</i></strong><i style='mso-bidi-font-style:normal'><o:p></o:p></i></p> <p class=style1>L. <span class=SpellE>Trautmann</span>, S. <span class=SpellE>Petrausch</span>, and M. Bauer, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000118000003001763000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Simulations of string vibrations with boundary conditions of third kind using the functional transformation method </a></p> <p class=style1><span class=SpellE>Éric</span> <span class=SpellE>Ducasse</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000118000003001776000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no"><span class=GramE>On</span> waveguide modeling of stiff piano strings </a></p> <p class=style1>&nbsp;</p> <p class=style1><strong><i style='mso-bidi-font-style:normal'>No. 2 (August)</i></strong><i style='mso-bidi-font-style:normal'><o:p></o:p></i></p> <p class=style1>Werner <span class=SpellE>Goebl</span>, Roberto <span class=SpellE>Bresin</span>, and Alexander <span class=SpellE>Galembo</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000118000002001154000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Touch and temporal behavior of grand piano actions </a></p> <p class=style1>&nbsp;</p> <p class=style1><strong><i style='mso-bidi-font-style:normal'>No. 1 (July)</i></strong><i style='mso-bidi-font-style:normal'><o:p></o:p></i></p> <p class=style1>Anne <span class=SpellE>Caclin</span>, Stephen McAdams, Bennett K. Smith, and Suzanne <span class=SpellE>Winsberg</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000118000001000471000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Acoustic correlates of timbre space dimensions: A confirmatory study using synthetic tones </a></p> <p class=style1>Philippe <span class=SpellE>Guillemain</span>, Jean <span class=SpellE>Kergomard</span>, and Thierry <span class=SpellE>Voinier</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000118000001000483000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Real-time synthesis of clarinet-like instruments using digital impedance models </a></p> <p class=style1><span class=SpellE>Julien</span> <span class=SpellE>Bensa</span>, Olivier <span class=SpellE>Gipouloux</span>, and Richard <span class=SpellE>Kronland</span>-Martinet, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000118000001000495000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Parameter fitting for piano sound synthesis by physical modeling</a></p> <p class=style1>&nbsp;<span style='color:#C00000'><o:p></o:p></span></p> <p class=style1><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style: normal'><u><span style='color:#C00000'>Volume 117 (2005)<o:p></o:p></span></u></i></b></p> <p class=style1><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style: normal'>No. 5 (May)<o:p></o:p></i></b></p> <p class=style1>Brian E. Anderson and William J. Strong, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000117000005003268000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">The effect of inharmonic partials on pitch of piano tones </a></p> <p class=style1>&nbsp;</p> <p class=style1><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style: normal'>No. 4 (April)<o:p></o:p></i></b></p> <p class=style1>Masahiro <span class=SpellE>Sunohara</span>, Kenji <span class=SpellE>Furihata</span>, David K. Asano, <span class=SpellE>Takesaburo</span> Yanagisawa, and <span class=SpellE>Atsuyoshi</span> Yuasa, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000117000004002247000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">The acoustics of Japanese wooden drums called &quot;<span class=SpellE>mokugyo</span>&quot; </a></p> <p class=style1>Bo <span class=SpellE>Cartling</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000117000004002259000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Beating frequency and amplitude modulation of the piano tone due to coupling of tones </a></p> <p class=style1><span class=SpellE>Balázs</span> Bank and <span class=SpellE>László</span> <span class=SpellE>Sujbert</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000117000004002268000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Generation of longitudinal vibrations in piano strings: From physics to sound synthesis </a></p> <p class=style1>Denis <span class=SpellE>Ricot</span>, René <span class=SpellE>Caussé</span>, and Nicolas <span class=SpellE>Misdariis</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000117000004002279000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Aerodynamic excitation and sound production of blown-closed free reeds without acoustic coupling: The example of the accordion reed </a></p> <p class=style1>&nbsp;</p> <p class=style1><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style: normal'>No. 3 (March)<o:p></o:p></i></b></p> <p class=style1>Nathalie <span class=SpellE>Henrich</span>, Christophe d'Alessandro, Boris <span class=SpellE>Doval</span>, and <span class=SpellE>Michèle</span> <span class=SpellE>Castellengo</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000117000003001417000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Glottal open quotient in singing: Measurements and correlation with laryngeal mechanisms, vocal intensity, and fundamental frequency</a></p> <p class=style1>&nbsp;</p> <p class=style1><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style: normal'>No. 2 (February)<o:p></o:p></i></b></p> <p class=style1><span class=SpellE>Lamberto</span> <span class=SpellE>Tronchin</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000117000002000926000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Modal analysis and intensity of acoustic radiation of the kettledrum</a> </p> <p class=style1>&nbsp;</p> <p class=style1><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style: normal'>No. 1 (January)<o:p></o:p></i></b></p> <p class=style1>N. H. Fletcher, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000117000001000370000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Stopped-pipe wind instruments: Acoustics of the panpipes </a></p> <p class=style1>Brian Copeland, Andrew Morrison, and Thomas D. <span class=SpellE>Rossing</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000117000001000375000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Sound radiation from Caribbean <span class=SpellE>steelpans</span> </a>&nbsp;</p> <p class=style1>J. <span class=SpellE>Petrolito</span> and K. A. <span class=SpellE>Legge</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000117000001000384000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Designing musical structures using a constrained optimization approach</a></p> <p class=style1>Renee <span class=SpellE>Timmers</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000117000001000391000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Predicting the similarity between expressive performances of music from measurements of tempo and dynamics </a></p> <p class=style1>Roger J. Hanson, H. Kent <span class=SpellE>Macomber</span>, Andrew C. Morrison, and Matthew A. Boucher, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000117000001000400000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Primarily nonlinear effects observed in a driven asymmetrical vibrating wire </a></p> <p class=style1>&nbsp;</p> <p class=style1><strong><i style='mso-bidi-font-style:normal'><u><span style='color:#C00000'>Volume 116 (2004)</span></u></i></strong><i style='mso-bidi-font-style:normal'><u><span style='color:#C00000'><o:p></o:p></span></u></i></p> <p class=style1><strong><i style='mso-bidi-font-style:normal'>No 4. (October)</i></strong><i style='mso-bidi-font-style:normal'><o:p></o:p></i></p> <p class=style1>Michael F. Page, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000116000004002416000001&amp;idtype=cvips&amp;gifs=Yes">Perfect harmony: A mathematical analysis of four historical tunings </a></p> <p class=style1>Bradley M. Deutsch, Cherie L. Ramirez, and Thomas R. Moore, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000116000004002427000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">The dynamics and tuning of orchestral <span class=SpellE>crotales</span> </a></p> <p class=style1><span class=SpellE>Elodie</span> <span class=SpellE>Joliveau</span>, John Smith, and Joe Wolfe, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000116000004002434000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Vocal tract resonances in singing: The soprano voice</a></p> <p class=style1>&nbsp;</p> <p class=style1><strong><i style='mso-bidi-font-style:normal'>No. 3 (September)</i></strong><i style='mso-bidi-font-style:normal'><o:p></o:p></i></p> <p class=style1>David A. Ross, Ingrid R. Olson, Lawrence E. Marks, and John C. Gore, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000116000003001793000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">A nonmusical paradigm for identifying absolute pitch possessors </a></p> <p class=style1>Andrew Horner, James Beauchamp, and Richard So, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000116000003001800000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Detection of random alterations to time-varying musical instrument spectra</a></p> <p class=style1>&nbsp;</p> <p class=style1><strong><i style='mso-bidi-font-style:normal'>No. 1 (July)</i></strong><i style='mso-bidi-font-style:normal'><o:p></o:p></i></p> <p class=style1>Jennifer J. Barnes, Pamela Davis, Jennifer Oates, and Janice Chapman, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000116000001000530000001&amp;idtype=cvips&amp;gifs=Yes">The relationship between professional operatic soprano voice and high range spectral energy </a></p> <p class=style1>&nbsp;</p> <p class=style1>&nbsp;</p> <p class=style1><strong><i style='mso-bidi-font-style:normal'><u><span style='color:#C00000'>Volume 115 (2004)</span></u></i></strong><i style='mso-bidi-font-style:normal'><u><span style='color:#C00000'><o:p></o:p></span></u></i></p> <p class=style1><strong><i style='mso-bidi-font-style:normal'>No. 5 (May)</i></strong><i style='mso-bidi-font-style:normal'><o:p></o:p></i></p> <p class=style1>Judith C. Brown and Paris <span class=SpellE>Smaragdis</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000115000005002295000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Independent component analysis for automatic note extraction from musical trills </a></p> <p class=style1>&nbsp;</p> <p class=style1><strong><i style='mso-bidi-font-style:normal'>No. 3 (March)</i></strong><i style='mso-bidi-font-style:normal'><o:p></o:p></i></p> <p class=style1>Stephen McAdams, Antoine <span class=SpellE>Chaigne</span>, and Vincent <span class=SpellE>Roussarie</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000115000003001306000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">The <span class=SpellE>psychomechanics</span> of simulated sound sources: Material properties of impacted bars </a></p> <p class=style1>Nathalie <span class=SpellE>Henrich</span>, Christophe d'Alessandro, Boris <span class=SpellE>Doval</span>, and <span class=SpellE>Michèle</span> <span class=SpellE>Castellengo</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000115000003001321000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no"><span class=GramE>On</span> the use of the derivative of <span class=SpellE>electroglottographic</span> signals for characterization of <span class=SpellE>nonpathological</span> phonation </a></p> <p class=style1>&nbsp;</p> <p class=style1><strong><i style='mso-bidi-font-style:normal'>No. 2 (February)</i></strong><i style='mso-bidi-font-style:normal'><o:p></o:p></i></p> <p class=style1>Brian <span class=SpellE>Capleton</span>,<a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000115000002000885000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no"> False beats in coupled piano string unisons </a></p> <p class=style1>&nbsp;</p> <p class=style1><strong><i style='mso-bidi-font-style:normal'><u><span style='color:#C00000'>Volume 114 (2003)</span></u></i></strong><i style='mso-bidi-font-style:normal'><u><span style='color:#C00000'><o:p></o:p></span></u></i></p> <p class=style1><strong><i style='mso-bidi-font-style:normal'>No. 6 (December)</i></strong><i style='mso-bidi-font-style:normal'><o:p></o:p></i></p> <p class=style1>Brian H. <span class=SpellE>Pandya</span>, Gary S. Settles, and James D. Miller, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000114000006003363000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no"><span class=SpellE>Schlieren</span> imaging of shock waves from a trumpet </a></p> <p class=style1><span class=SpellE>Grégoire</span> <span class=SpellE>Derveaux</span>, Antoine <span class=SpellE>Chaigne</span>, Patrick <span class=SpellE>Joly</span>, and <span class=SpellE>Eliane</span> <span class=SpellE>Bécache</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000114000006003368000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Time-domain simulation of a guitar: Model and method </a></p> <p class=style1>&nbsp;</p> <p class=style1><strong><i style='mso-bidi-font-style:normal'>No. 5 (November)</i></strong><i style='mso-bidi-font-style:normal'><o:p></o:p></i></p> <p class=style1>Jeremy <span class=SpellE>Marozeau</span>, Alain de <span class=SpellE>Cheveigné</span>, Stephen McAdams, and Suzanne <span class=SpellE>Winsberg</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000114000005002946000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">The dependency of timbre on fundamental frequency </a></p> <p class=style1>Joe Dickey, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000114000005002958000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">The structural dynamics of the American five-string banjo </a></p> <p class=style1>&nbsp;</p> <p class=style1><strong><i style='mso-bidi-font-style:normal'>No. 4 (October)</i></strong><i style='mso-bidi-font-style:normal'><o:p></o:p></i></p> <p class=style1>Jean-Pierre <span class=SpellE>Dalmont</span>, <span class=SpellE>Joël</span> Gilbert, and <span class=SpellE>Sébastien</span> <span class=SpellE>Ollivier</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000114000004002253000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Nonlinear characteristics of single-reed instruments: <span class=SpellE>Quasistatic</span> volume flow and reed opening measurements </a></p> <p class=style1>Joe Wolfe and John Smith, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000114000004002263000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Cutoff frequencies and cross fingerings in baroque, classical, and modern flutes </a></p> <p class=style1>Werner <span class=SpellE>Goebl</span> and Roberto <span class=SpellE>Bresin</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000114000004002273000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Measurement and reproduction accuracy of computer-controlled grand pianos </a></p> <p class=style1>&nbsp;</p> <p class=style1><strong><i style='mso-bidi-font-style:normal'>No. 3 (September)</i></strong><i style='mso-bidi-font-style:normal'><o:p></o:p></i></p> <p class=style1>M. Jing, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000114000003001622000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">A theoretical study of the vibration and acoustics of ancient Chinese bells</a></p> <p class=style1>&nbsp;</p> <p class=style1><strong><i style='mso-bidi-font-style:normal'>No. 2 (August)</i></strong><i style='mso-bidi-font-style:normal'><o:p></o:p></i></p> <p class=style1><span class=SpellE>Julien</span> <span class=SpellE>Bensa</span>, Stefan Bilbao, Richard <span class=SpellE>Kronland</span>-Martinet, and Julius O. Smith III, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000114000002001095000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">The simulation of piano string vibration: From physical models to finite difference schemes and digital waveguides </a></p> <p class=style1>&nbsp;</p> <p class=style1><strong><i style='mso-bidi-font-style:normal'>No. 1 (July)</i></strong><i style='mso-bidi-font-style:normal'><o:p></o:p></i></p> <p class=style1>Ana <span class=SpellE>Barjau</span> and Vincent <span class=SpellE>Gibiat</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000114000001000496000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Delayed models for simplified musical instruments</a></p> <p class=style1>Neil McLachlan, <span class=SpellE>Behzad</span> <span class=SpellE>Keramati</span> <span class=SpellE>Nigjeh</span>, and Anton <span class=SpellE>Hasell</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000114000001000505000001&amp;idtype=cvips&amp;gifs=Yes">The design of bells with harmonic overtones </a></p> <p class=style1>&nbsp;</p> <p class=style1><i style='mso-bidi-font-style:normal'>&nbsp;<b style='mso-bidi-font-weight:normal'><u><span style='color:#C00000'>Volume 113 (2003)<o:p></o:p></span></u></b></i></p> <p class=style1><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style: normal'>No. 5 (May)<o:p></o:p></i></b></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt;widows: 2;orphans: 2'><span class=SpellE><span style='color:black'>Matteo</span></span><span style='color:black'> L. <span class=SpellE>Facchinetti</span></span><span style='color:#4E4E4E'>,&nbsp;</span><span style='color:black'>Xavier <span class=SpellE>Boutillon</span></span><span style='color:#4E4E4E'>, and&nbsp;</span><span style='color:black'>Andrei Constantinescu, </span><a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000113000005002874000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no"><span style='color:black;mso-bidi-font-weight:bold'>Numerical and experimental modal analysis of the reed and pipe of a clarinet</span></a></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'><b style='mso-bidi-font-weight:normal'><o:p>&nbsp;</o:p></b></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style: normal'><a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000113000005002874000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no"><span style='color:windowtext;text-decoration:none;text-underline:none'>No. 4 (April)</span></a><o:p></o:p></i></b></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'>George <span class=SpellE>Bissinger</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000113000004002105000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no"><span style='color:windowtext;mso-bidi-font-weight:bold'>Modal analysis of a violin octet</span></a></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'><b style='mso-bidi-font-weight:normal'><o:p>&nbsp;</o:p></b></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style: normal'>No. 3 (March)<o:p></o:p></i></b></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'>George <span class=SpellE>Bissinger</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000113000003001718000001&amp;idtype=cvips&amp;gifs=Yes&amp;ref=no">Wall compliance and violin cavity modes</a></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'>S. <span class=SpellE>Dequand</span>, J. F. H. <span class=SpellE>Willems</span>, M. <span class=SpellE>Leroux</span>, R. <span class=SpellE>Vullings</span>, M. van <span class=SpellE>Weert</span>, C. <span class=SpellE>Thieulot</span>, and A. Hirschberg, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000113000003001724000001&amp;idtype=cvips&amp;gifs=Yes">Simplified models of flue instruments: Influence of mouth geometry on the sound source</a></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'><span class=SpellE>Fabrice</span> <span class=SpellE>Pinard</span>, Benoit <span class=SpellE>Laine</span>, and <span class=SpellE>Holger</span> <span class=SpellE>Vach</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000113000003001736000001&amp;idtype=cvips&amp;gifs=Yes">Musical quality assessment of clarinet reeds using optical holography</a></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'><b style='mso-bidi-font-weight:normal'><o:p>&nbsp;</o:p></b></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style: normal'>No. 2 (February)<o:p></o:p></i></b></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;text-align:justify; mso-line-height-alt:11.5pt'><span class=SpellE>András</span> <span class=SpellE>Miklós</span>, <span class=SpellE>Judit</span> <span class=SpellE>Angster</span>, Stephan <span class=SpellE>Pitsch</span>, and Thomas D. <span class=SpellE>Rossing</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000113000002001081000001&amp;idtype=cvips&amp;gifs=Yes">Reed vibration in lingual organ pipes without the resonators</a></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;text-align:justify; mso-line-height-alt:11.5pt'><span class=SpellE>Takafumi</span> <span class=SpellE>Hikichi</span>, <span class=SpellE>Naotoshi</span> Osaka, and <span class=SpellE>Fumitada</span> <span class=SpellE>Itakura</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000113000002001092000001&amp;idtype=cvips&amp;gifs=Yes">Time-domain simulation of sound production of the <span class=SpellE>sho</span></a></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;text-align:justify; mso-line-height-alt:11.5pt'><span class=SpellE>Ofer</span> Amir, Noam Amir, and <span class=SpellE>Liat</span> <span class=SpellE>Kishon</span>-Rabin, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000113000002001102000001&amp;idtype=cvips&amp;gifs=Yes">The effect of superior auditory skills on vocal accuracy</a></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;text-align:justify; mso-line-height-alt:11.5pt'><b style='mso-bidi-font-weight:normal'><o:p>&nbsp;</o:p></b></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;text-align:justify; mso-line-height-alt:11.5pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style:normal'>No. 1 (January)<o:p></o:p></i></b></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;text-align:justify; mso-line-height-alt:11.5pt'>Maarten van <span class=SpellE>Walstijn</span> and Murray Campbell, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000113000001000575000001&amp;idtype=cvips&amp;gifs=Yes">Discrete-time modeling of woodwind instrument bores using wave variables</a></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;text-align:justify; mso-line-height-alt:11.5pt'><o:p>&nbsp;</o:p></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;text-align:justify; mso-line-height-alt:11.5pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style:normal'><u><span style='color:#C00000'>Volume 112 (2002)<o:p></o:p></span></u></i></b></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;text-align:justify; mso-line-height-alt:11.5pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style:normal'>No. 6 (December)<o:p></o:p></i></b></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;text-align:justify; mso-line-height-alt:11.5pt'>Eric <span class=SpellE>Ducasse</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000112000006003031000001&amp;idtype=cvips&amp;gifs=Yes">An alternative to the traveling-wave approach for use in two-port descriptions of acoustic bores</a></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;text-align:justify; mso-line-height-alt:11.5pt'><span class=SpellE>Jie</span> Pan, <span class=SpellE>Xiaodong</span> Li, Jing <span class=SpellE>Tian</span>, and <span class=SpellE>Tanran</span> Lin, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000112000006003042000001&amp;idtype=cvips&amp;gifs=Yes">Short sound decay of ancient Chinese music bells</a></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;text-align:justify; mso-line-height-alt:11.5pt'><b style='mso-bidi-font-weight:normal'><o:p>&nbsp;</o:p></b></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;text-align:justify; mso-line-height-alt:11.5pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style:normal'>No. 4 (October)<o:p></o:p></i></b></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;text-align:justify; mso-line-height-alt:11.5pt'><span class=SpellE>Cumhur</span> <span class=SpellE>Erkut</span>, <span class=SpellE>Matti</span> <span class=SpellE>Karjalainen</span>, Patty Huang, and <span class=SpellE>Vesa</span> <span class=SpellE>Välimäki</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000112000004001681000001&amp;idtype=cvips&amp;gifs=Yes">Acoustical analysis and model-based sound synthesis of the <span class=SpellE>kantele</span></a></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;text-align:justify; mso-line-height-alt:11.5pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style:normal'><u><o:p><span style='text-decoration:none'>&nbsp;</span></o:p></u></i></b></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;text-align:justify; mso-line-height-alt:11.5pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style:normal'><u><span style='color:#C00000'>Volume 111 (2002)<o:p></o:p></span></u></i></b></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;text-align:justify; mso-line-height-alt:11.5pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style:normal'>No. 5 (May)<o:p></o:p></i></b></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'>Ingo R. <span class=SpellE>Titze</span>, Brad Story, Marshall Smith, and <span class=SpellE>Russel</span> Long, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000111000005002272000001&amp;idtype=cvips&amp;gifs=Yes">A reflex resonance model of vocal vibrato</a></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'>M. J. <span class=SpellE>Elejabarrieta</span>, A. <span class=SpellE>Ezcurra</span>, and C. <span class=SpellE>Santamaría</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000111000005002283000001&amp;idtype=cvips&amp;gifs=Yes">Coupled modes of the resonance box of the guitar</a></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'>Federico <span class=SpellE>Avanzini</span> and <span class=SpellE>Davide</span> <span class=SpellE>Rocchesso</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000111000005002293000001&amp;idtype=cvips&amp;gifs=Yes">Efficiency, accuracy, and stability issues in discrete-time simulations of single reed wind instruments</a></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'><b style='mso-bidi-font-weight:normal'><o:p>&nbsp;</o:p></b></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style: normal'>No. 3 (March)<o:p></o:p></i></b></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'>N. H. Fletcher, W. T. McGee, and A. Z. <span class=SpellE>Tarnopolsky</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000111000003001437000001&amp;idtype=cvips&amp;gifs=Yes">Bell clapper impact dynamics and the voicing of a carillon</a></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'><b style='mso-bidi-font-weight:normal'><u><span style='color:#C00000'><o:p><span style='text-decoration:none'>&nbsp;</span></o:p></span></u></b></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style: normal'><u><span style='color:#C00000'>Volume 110 (2001)<o:p></o:p></span></u></i></b></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style: normal'>No. 3 (September)<o:p></o:p></i></b></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'>Alexander <span class=SpellE>Galembo</span>, Anders <span class=SpellE>Askenfelt</span>, Lola L. Cuddy, and Frank A. Russo, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000110000003001649000001&amp;idtype=cvips&amp;gifs=Yes">Effects of relative phases on pitch and timbre in the piano bass range</a></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'>Kenneth Tom and Ingo R. <span class=SpellE>Titze</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000110000003001667000001&amp;idtype=cvips&amp;gifs=Yes">Vocal intensity in falsetto phonation of a countertenor: An analysis by synthesis approach</a></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'><b style='mso-bidi-font-weight:normal'><o:p>&nbsp;</o:p></b></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style: normal'>No. 1 (July)<o:p></o:p></i></b></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'>Lily M. Wang and Courtney B. Burroughs, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000110000001000543000001&amp;idtype=cvips&amp;gifs=Yes">Acoustic radiation from bowed violins</a></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'>Michael W. Thompson and William J. Strong, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000110000001000556000001&amp;idtype=cvips&amp;gifs=Yes">Inclusion of wave steepening in a frequency-domain model of trombone sound production</a></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'>Werner <span class=SpellE>Goebl</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000110000001000563000001&amp;idtype=cvips&amp;gifs=Yes">Melody lead in piano performance: Expressive device or artifact?</a></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'><b style='mso-bidi-font-weight:normal'><u><o:p><span style='text-decoration: none'>&nbsp;</span></o:p></u></b></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style: normal'><u><span style='color:#C00000'>Volume 109 (2001)<o:p></o:p></span></u></i></b></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style: normal'>No. 6 (June)<o:p></o:p></i></b></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'>R. <span class=SpellE>Ranvaud</span>, W. F. Thompson, L. <span class=SpellE>Silveira</span>-Moriyama, and L.-L. <span class=SpellE>Balkwill</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000109000006003021000001&amp;idtype=cvips&amp;gifs=Yes">The speed of pitch resolution in a musical context</a></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'><b style='mso-bidi-font-weight:normal'><o:p>&nbsp;</o:p></b></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style: normal'><u><span style='color:#C00000'>Volume 108 (2000)<o:p></o:p></span></u></i></b></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style: normal'>No. 5 (November)<o:p></o:p></i></b></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'>Gabriel <span class=SpellE>Weinreich</span>, Colin Holmes, and Maureen <span class=SpellE>Mellody</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000108000005002389000001&amp;idtype=cvips&amp;gifs=Yes">Air-wood coupling and the Swiss-cheese violin</a></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'><b style='mso-bidi-font-weight:normal'><o:p>&nbsp;</o:p></b></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style: normal'>No. 2 (August)<o:p></o:p></i></b></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'>Thomas D. <span class=SpellE>Rossing</span>, <span class=SpellE>Uwe</span> J. Hansen, and D. Scott Hampton, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000108000002000803000001&amp;idtype=cvips&amp;gifs=Yes"><span class=SpellE>Vibrational</span> mode shapes in Caribbean <span class=SpellE>steelpans</span>. I. Tenor and double second</a></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'><b style='mso-bidi-font-weight:normal'><o:p>&nbsp;</o:p></b></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style: normal'>No. 1 (July)<o:p></o:p></i></b></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'>J. Woodhouse, R. T. Schumacher, and S. <span class=SpellE>Garoff</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000108000001000357000001&amp;idtype=cvips&amp;gifs=Yes">Reconstruction of bowing point friction force in a bowed string</a></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'>M. J. <span class=SpellE>Elejabarrieta</span>, A. <span class=SpellE>Ezcurra</span>, and C. <span class=SpellE>Santamaría</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000108000001000369000001&amp;idtype=cvips&amp;gifs=Yes">Evolution of the <span class=SpellE>vibrational</span> behavior of a guitar soundboard along successive construction phases by means of the modal analysis technique</a></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'>Georg <span class=SpellE>Essl</span> and Perry R. Cook, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000108000001000379000001&amp;idtype=cvips&amp;gifs=Yes">Measurements and efficient simulations of bowed bars</a></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'>J. M. Harrison and N. Thompson-Allen, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000108000001000389000001&amp;idtype=cvips&amp;gifs=Yes">Constancy of loudness of pipe organ sounds at different locations in an auditorium</a></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'>A. Z. <span class=SpellE>Tarnopolsky</span>, N. H. Fletcher, and J. C. S. Lai, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000108000001000400000001&amp;idtype=cvips&amp;gifs=Yes">Oscillating reed valves <span class=GramE>An</span> experimental study</a></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'><b style='mso-bidi-font-weight:normal'><u><o:p><span style='text-decoration: none'>&nbsp;</span></o:p></u></b></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style: normal'><u><span style='color:#C00000'>Volume 107 (2000)<o:p></o:p></span></u></i></b></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style: normal'>No. 6 (June)<o:p></o:p></i></b></p> <p class=style3 style='margin-bottom:0in;margin-bottom:.0001pt;mso-line-height-alt: 11.5pt'>Anna <span class=SpellE>Runnemalm</span>, Nils-Erik <span class=SpellE>Molin</span>, and Erik <span class=SpellE>Jansson</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000107000006003452000001&amp;idtype=cvips&amp;gifs=Yes"><span class=GramE>On</span> operating deflection shapes of the violin body including in-plane motions</a></p> <p class=style1 style='tab-stops:392.25pt'>G. R. <span class=SpellE>Plitnik</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000107000006003460000001&amp;idtype=cvips&amp;gifs=Yes">Vibration characteristics of pipe organ reed tongues and the effect of the shallot, resonator, and reed curvature</a></p> <p class=style1 style='tab-stops:392.25pt'><b style='mso-bidi-font-weight:normal'><o:p>&nbsp;</o:p></b></p> <p class=style1 style='tab-stops:392.25pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style:normal'>No. 5 (May)<o:p></o:p></i></b></p> <p class=style1 style='tab-stops:392.25pt'>Richard J. <span class=SpellE>Krantz</span> and Jack <span class=SpellE>Douthett</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000107000005002725000001&amp;idtype=cvips&amp;gifs=Yes">Construction and interpretation of equal-tempered scales using frequency ratios, maximally even sets, and P-cycles</a></p> <p class=style1 style='tab-stops:392.25pt'><b style='mso-bidi-font-weight:normal'><o:p>&nbsp;</o:p></b></p> <p class=style1 style='tab-stops:392.25pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style:normal'>No. 4 (April)<o:p></o:p></i></b></p> <p class=style1 style='tab-stops:392.25pt'>N. Giordano and J. P. <span class=SpellE>Winans</span> II, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000107000004002248000001&amp;idtype=cvips&amp;gifs=Yes">Piano hammers and their force compression characteristics: Does a power law make sense?</a></p> <p class=style1 style='tab-stops:392.25pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style:normal'><o:p>&nbsp;</o:p></i></b></p> <p class=style1 style='tab-stops:392.25pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style:normal'>No. 1 (January)<o:p></o:p></i></b></p> <p class=style1 style='tab-stops:392.25pt'>Maureen <span class=SpellE>Mellody</span> and Gregory H. Wakefield, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000107000001000598000001&amp;idtype=cvips&amp;gifs=Yes">The time-frequency characteristics of violin vibrato: Modal distribution analysis and synthesis</a></p> <p class=style1 style='tab-stops:392.25pt'><b style='mso-bidi-font-weight:normal'><u><o:p><span style='text-decoration:none'>&nbsp;</span></o:p></u></b></p> <p class=style1 style='tab-stops:392.25pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style:normal'><u><span style='color:#C00000'>Volume 106 (1999)<o:p></o:p></span></u></i></b></p> <p class=style1 style='tab-stops:392.25pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style:normal'>No. 5 (November)<o:p></o:p></i></b></p> <p class=style1 style='tab-stops:392.25pt'>Thomas D. <span class=SpellE>Rossing</span> and Gila <span class=SpellE>Eban</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000106000005002991000001&amp;idtype=cvips&amp;gifs=Yes">Normal modes of a <span class=SpellE>radially</span> braced guitar determined by electronic TV holography</a></p> <p class=style1 style='tab-stops:392.25pt'><b style='mso-bidi-font-weight:normal'><o:p>&nbsp;</o:p></b></p> <p class=style1 style='tab-stops:392.25pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style:normal'>No. 2 (August)<o:p></o:p></i></b></p> <p class=style1 style='tab-stops:392.25pt'>E. <span class=SpellE>Obataya</span> and M. <span class=SpellE>Norimoto</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000106000002001106000001&amp;idtype=cvips&amp;gifs=Yes">Acoustic properties of a reed (<span class=SpellE>Arundo</span> <span class=SpellE>donax</span> L.) used for the vibrating plate of a clarinet</a></p> <p class=style1 style='tab-stops:392.25pt'>George R. <span class=SpellE>Plitnik</span> and Bruce A. Lawson, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000106000002001111000001&amp;idtype=cvips&amp;gifs=Yes">An investigation of correlations between geometry, acoustic variables, and psychoacoustic parameters for French horn mouthpieces</a></p> <p class=style1 style='tab-stops:392.25pt'><b style='mso-bidi-font-weight:normal'><o:p>&nbsp;</o:p></b></p> <p class=style1 style='tab-stops:392.25pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style:normal'>No. 1 (July)<o:p></o:p></i></b></p> <p class=style1 style='tab-stops:392.25pt'>Bruno H. <span class=SpellE>Repp</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000106000001000469000001&amp;idtype=cvips&amp;gifs=Yes">A microcosm of musical expression. III. Contributions of timing and dynamics to the aesthetic impression of pianists' performances of the initial measures of Chopin's Etude in E Major</a></p> <p class=style1 style='tab-stops:392.25pt'><b style='mso-bidi-font-weight:normal'><u><o:p><span style='text-decoration:none'>&nbsp;</span></o:p></u></b></p> <p class=style1 style='tab-stops:392.25pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style:normal'><u><span style='color:#C00000'>Volume 105 (1999)<o:p></o:p></span></u></i></b></p> <p class=style1 style='tab-stops:392.25pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style:normal'>No. 6 (June)<o:p></o:p></i></b></p> <p class=style1 style='tab-stops:392.25pt'>Xavier <span class=SpellE>Boutillon</span> and Gabriel <span class=SpellE>Weinreich</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000105000006003524000001&amp;idtype=cvips&amp;gifs=Yes">Three-dimensional mechanical admittance: Theory and new measurement method applied to the violin bridge</a></p> <p class=style1 style='tab-stops:392.25pt'><span class=SpellE>Eiji</span> Hayashi, Masami Yamane, and Hajime Mori, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000105000006003534000001&amp;idtype=cvips&amp;gifs=Yes">Behavior of piano-action in a grand piano. I. Analysis of the motion of the hammer prior to string contact</a></p> <p class=style1 style='tab-stops:392.25pt'><span class=SpellE>Leïla</span> <span class=SpellE>Rhaouti</span>, Antoine <span class=SpellE>Chaigne</span>, and Patrick <span class=SpellE>Joly</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000105000006003545000001&amp;idtype=cvips&amp;gifs=Yes">Time-domain modeling and numerical simulation of a kettledrum</a></p> <p class=style1 style='tab-stops:392.25pt'><span class=SpellE>Sten</span> <span class=SpellE>Ternström</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000105000006003563000001&amp;idtype=cvips&amp;gifs=Yes">Preferred self-to-other ratios in choir singing</a></p> <p class=style1 style='tab-stops:392.25pt'><b style='mso-bidi-font-weight:normal'><o:p>&nbsp;</o:p></b></p> <p class=style1 style='tab-stops:392.25pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style:normal'>No. 5 (May)<o:p></o:p></i></b></p> <p class=style1 style='tab-stops:392.25pt'>Seiji Adachi and Masashi Yamada, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000105000005002920000001&amp;idtype=cvips&amp;gifs=Yes">An acoustical study of sound production in <span class=SpellE>biphonic</span> singing, <span class=SpellE>Xöömij</span></a></p> <p class=style1 style='tab-stops:392.25pt'>Ingo R. <span class=SpellE>Titze</span>, <span class=SpellE>Russel</span> Long, George I. Shirley, Elaine Stathopoulos, Lorraine O. <span class=SpellE>Ramig</span>, Linda M. Carroll, and William D. Riley, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000105000005002933000001&amp;idtype=cvips&amp;gifs=Yes"><span class=SpellE>Messa</span> <span class=SpellE>di</span> voce: An investigation of the symmetry of crescendo and decrescendo in a singing exercise</a></p> <p class=style1 style='tab-stops:392.25pt'><b style='mso-bidi-font-weight:normal'><o:p>&nbsp;</o:p></b></p> <p class=style1 style='tab-stops:392.25pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style:normal'>No. 3 (March)<o:p></o:p></i></b></p> <p class=style1 style='tab-stops:392.25pt'>Judith C. Brown, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000105000003001933000001&amp;idtype=cvips&amp;gifs=Yes">Computer identification of musical instruments using pattern recognition with <span class=SpellE>cepstral</span> coefficients as features</a></p> <p class=style1 style='tab-stops:392.25pt'>J. <span class=SpellE>Bretos</span>, C. <span class=SpellE>Santamaría</span>, and J. Alonso Moral, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000105000003001942000001&amp;idtype=cvips&amp;gifs=Yes"><span class=SpellE>Vibrational</span> patterns and frequency responses of the free plates and box of a violin obtained by finite element analysis</a></p> <p class=style1 style='tab-stops:392.25pt'>A. <span class=SpellE>Barjau</span>, D. H. Keefe, and S. Cardona, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000105000003001951000001&amp;idtype=cvips&amp;gifs=Yes">Time-domain simulation of acoustical waveguides with arbitrarily spaced discontinuities</a></p> <p class=style1 style='tab-stops:392.25pt'>Johan <span class=SpellE>Sundberg</span>, Maria <span class=SpellE>Andersson</span>, and Clara <span class=SpellE>Hultqvist</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000105000003001965000001&amp;idtype=cvips&amp;gifs=Yes">Effects of <span class=SpellE>subglottal</span> pressure variation on professional baritone singers' voice sources</a></p> <p class=style1 style='tab-stops:392.25pt'>Bruno H. <span class=SpellE>Repp</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000105000003001972000001&amp;idtype=cvips&amp;gifs=Yes">A microcosm of musical expression: II. Quantitative analysis of pianists' dynamics in the initial measures of Chopin's Etude in E major</a></p> <p class=style1 style='tab-stops:392.25pt'><b style='mso-bidi-font-weight:normal'><o:p>&nbsp;</o:p></b></p> <p class=style1 style='tab-stops:392.25pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style:normal'>No. 2 (February)<o:p></o:p></i></b></p> <p class=style1 style='tab-stops:392.25pt'>N. H. Fletcher and A. <span class=SpellE>Tarnopolsky</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000105000002000874000001&amp;idtype=cvips&amp;gifs=Yes">Blowing pressure, power, and spectrum in trumpet playing</a></p> <p class=style1 style='tab-stops:392.25pt'>Stephen McAdams, James W. Beauchamp, and Suzanna <span class=SpellE>Meneguzzi</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000105000002000882000001&amp;idtype=cvips&amp;gifs=Yes">Discrimination of musical instrument sounds <span class=SpellE>resynthesized</span> with simplified <span class=SpellE>spectrotemporal</span> parameters</a></p> <p class=style1 style='tab-stops:392.25pt'><b style='mso-bidi-font-weight:normal'><o:p>&nbsp;</o:p></b></p> <p class=style1 style='tab-stops:392.25pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style:normal'>No. 1 (January)<o:p></o:p></i></b></p> <p class=style1 style='tab-stops:392.25pt'>Harold A. Conklin, Jr., <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000105000001000536000001&amp;idtype=cvips&amp;gifs=Yes">Generation of partials due to nonlinear mixing in a stringed instrument</a></p> <p class=style1 style='tab-stops:392.25pt'><span class=SpellE>Servaas</span> J. J. M. F. <span class=SpellE>Kokkelmans</span>, Marc-Pierre Verge, A. Hirschberg, A. P. J. <span class=SpellE>Wijnands</span>, and R. L. M. <span class=SpellE>Schoffelen</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000105000001000546000001&amp;idtype=cvips&amp;gifs=Yes">Acoustic behavior of chimney pipes</a></p> <p class=style1 style='tab-stops:392.25pt'><b style='mso-bidi-font-weight:normal'><u><o:p><span style='text-decoration:none'>&nbsp;</span></o:p></u></b></p> <p class=style1 style='tab-stops:392.25pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style:normal'><u><span style='color:#C00000'>Volume 104 (1998)<o:p></o:p></span></u></i></b></p> <p class=style1 style='tab-stops:392.25pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style:normal'>No. 6 (December)<o:p></o:p></i></b></p> <p class=style1 style='tab-stops:392.25pt'>George <span class=SpellE>Bissinger</span>, A0 <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000104000006003608000001&amp;idtype=cvips&amp;gifs=Yes">and A1 coupling, arching, rib height, and f-hole geometry dependence in the 2 degree-of-freedom network model of violin cavity modes</a></p> <p class=style1 style='tab-stops:392.25pt'><b style='mso-bidi-font-weight:normal'><o:p>&nbsp;</o:p></b></p> <p class=style1 style='tab-stops:392.25pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style:normal'>No. 3 (September)<o:p></o:p></i></b></p> <p class=style1 style='tab-stops:392.25pt'><span class=SpellE>Cornelis</span> J. <span class=SpellE>Nederveen</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000104000003001616000001&amp;idtype=cvips&amp;gifs=Yes">Influence of a <span class=SpellE>toroidal</span> bend on wind instrument tuning</a></p> <p class=style1 style='tab-stops:392.25pt'><span class=SpellE>Joël</span> Gilbert, Sylvie <span class=SpellE>Ponthus</span>, and Jean-François <span class=SpellE>Petiot</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000104000003001627000001&amp;idtype=cvips&amp;gifs=Yes">Artificial buzzing lips and brass instruments: Experimental results</a></p> <p class=style1 style='tab-stops:392.25pt'><span class=GramE>Vincent <span class=SpellE>Doutaut</span>, Denis <span class=SpellE>Matignon</span>, and Antoine <span class=SpellE>Chaigne</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000104000003001633000001&amp;idtype=cvips&amp;gifs=Yes">Numerical simulations of xylophones.</a></span></p> <p class=MsoNormal><span class=MsoHyperlink><a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000104000003001633000001&amp;idtype=cvips&amp;gifs=Yes"><span style='mso-spacerun:yes'> </span>II. Time-domain modeling of the resonator and of the radiated sound pressure<span style='mso-fareast-font-family:"Times New Roman"; color:windowtext;text-decoration:none;text-underline:none'> </span><span style='mso-fareast-font-family:"Times New Roman";color:windowtext;text-decoration: none;text-underline:none'><o:p></o:p></span></a></span></p> <p class=style1 style='tab-stops:392.25pt'><a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000104000003001633000001&amp;idtype=cvips&amp;gifs=Yes"><span style='color:windowtext;text-decoration:none;text-underline:none'><span style='mso-field-code:" HYPERLINK \0022http\:\/\/scitation\.aip\.org\/getabs\/servlet\/GetabsServlet?prog=normal&amp;id=JASMAN000104000003001633000001&amp;idtype=cvips&amp;gifs=Yes\0022 "'><span style='mso-field-code:" HYPERLINK \0022http\:\/\/scitation\.aip\.org\/getabs\/servlet\/GetabsServlet?prog=normal&amp;id=JASMAN000104000003001633000001&amp;idtype=cvips&amp;gifs=Yes\0022 "'>N. Giordano, <span style='mso-field-code:" HYPERLINK \0022http\:\/\/scitation\.aip\.org\/getabs\/servlet\/GetabsServlet?prog=normal&amp;id=JASMAN000104000003001648000001&amp;idtype=cvips&amp;gifs=Yes\0022 "'><u><span style='color:blue'>Sound production by a vibrating piano soundboard: Experiment</span></u></span></span></span></span></a></p> <p class=style1 style='tab-stops:392.25pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style:normal'><a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000104000003001633000001&amp;idtype=cvips&amp;gifs=Yes"><span style='color:windowtext;text-decoration:none;text-underline:none'><o:p>&nbsp;</o:p></span></a></i></b></p> <p class=style1 style='tab-stops:392.25pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style:normal'><a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000104000003001633000001&amp;idtype=cvips&amp;gifs=Yes"><span style='color:windowtext;text-decoration:none;text-underline:none'>No. 2 (August)</span><span style='color:windowtext;font-style:normal;text-decoration:none;text-underline: none'><o:p></o:p></span></a></i></b></p> <p class=style1 style='tab-stops:392.25pt'><a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000104000003001633000001&amp;idtype=cvips&amp;gifs=Yes"><span style='color:windowtext;text-decoration:none;text-underline:none'>Bruno H. <span class=SpellE>Repp</span>, <span style='mso-field-code:" HYPERLINK \0022http\:\/\/scitation\.aip\.org\/getabs\/servlet\/GetabsServlet?prog=normal&amp;id=JASMAN000104000002001085000001&amp;idtype=cvips&amp;gifs=Yes\0022 "'><u><span style='color:blue'>A microcosm of musical expression. I. Quantitative analysis of pianists' timing in the initial measures of Chopin's Etude in E major</span></u></span></span></a></p> <p class=style1 style='tab-stops:392.25pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style:normal'><a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000104000002001085000001&amp;idtype=cvips&amp;gifs=Yes"><span style='color:windowtext;text-decoration:none;text-underline:none'><o:p>&nbsp;</o:p></span></a></i></b></p> <p class=style1 style='tab-stops:392.25pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style:normal'><a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000104000002001085000001&amp;idtype=cvips&amp;gifs=Yes"><span style='color:windowtext;text-decoration:none;text-underline:none'>No. 1 (July)</span><span style='color:windowtext;font-style:normal;text-decoration:none;text-underline: none'><o:p></o:p></span></a></i></b></p> <p class=style1 style='tab-stops:392.25pt'><a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000104000002001085000001&amp;idtype=cvips&amp;gifs=Yes"><span style='color:windowtext;text-decoration:none;text-underline:none'>Teresa D. Wilson and Douglas H. Keefe, <span style='mso-field-code:"HYPERLINK \0022http\:\/\/scitation\.aip\.org\/getabs\/servlet\/GetabsServlet?prog=normal&amp;id=JASMAN000104000001000550000001&amp;idtype=cvips&amp;gifs=Yes\0022"'><u><span style='color:blue'>Characterizing the clarinet tone: Measurements of <span class=SpellE>Lyapunov</span> exponents, correlation dimension, and unsteadiness</span></u></span></span></a></p> <p class=style1 style='tab-stops:392.25pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style:normal'><u><span style='color:#C00000'><a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000104000001000550000001&amp;idtype=cvips&amp;gifs=Yes"><span style='color:#C00000'><o:p><span style='text-decoration:none'>&nbsp;</span></o:p></span></a></span></u></i></b></p> <p class=style1 style='tab-stops:392.25pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style:normal'><u><span style='color:#C00000'><a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000104000001000550000001&amp;idtype=cvips&amp;gifs=Yes"><span style='color:#C00000'>Volume 103 (1998)</span><span style='color:#C00000; font-style:normal'><o:p></o:p></span></a></span></u></i></b></p> <p class=style1 style='tab-stops:392.25pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style:normal'><a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000104000001000550000001&amp;idtype=cvips&amp;gifs=Yes"><span class=GramE><span style='color:windowtext;text-decoration:none;text-underline: none'>No. 6.</span></span><span style='color:windowtext;text-decoration:none; text-underline:none'> (June)<o:p></o:p></span></a></i></b></p> <p class=style1 style='tab-stops:392.25pt'><a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000104000001000550000001&amp;idtype=cvips&amp;gifs=Yes"><span style='color:windowtext;text-decoration:none;text-underline:none'>A. W. <span class=SpellE>Nolle</span>, <span style='mso-field-code:" HYPERLINK \0022http\:\/\/scitation\.aip\.org\/getabs\/servlet\/GetabsServlet?prog=normal&amp;id=JASMAN000103000006003690000001&amp;idtype=cvips&amp;gifs=Yes\0022 "'><u><span style='color:blue'>Sinuous instability of a planar air jet: Propagation parameters and acoustic excitation</span></u></span></span></a></p> <p class=style1 style='tab-stops:392.25pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style:normal'><a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000103000006003690000001&amp;idtype=cvips&amp;gifs=Yes"><span style='color:windowtext;text-decoration:none;text-underline:none'><o:p>&nbsp;</o:p></span></a></i></b></p> <p class=style1 style='tab-stops:392.25pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style:normal'><a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000103000006003690000001&amp;idtype=cvips&amp;gifs=Yes"><span style='color:windowtext;text-decoration:none;text-underline:none'>No. 5 (May)<o:p></o:p></span></a></i></b></p> <p class=style1 style='tab-stops:392.25pt'><a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000103000006003690000001&amp;idtype=cvips&amp;gifs=Yes"><span style='color:windowtext;text-decoration:none;text-underline:none'>Shigeru Yoshikawa, <span style='mso-field-code:" HYPERLINK \0022http\:\/\/scitation\.aip\.org\/getabs\/servlet\/GetabsServlet?prog=normal&amp;id=JASMAN000103000005002706000001&amp;idtype=cvips&amp;gifs=Yes\0022 "'><u><span style='color:blue'>Jet-wave amplification in organ pipes</span></u></span></span></a></p> <p class=style1 style='tab-stops:392.25pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style:normal'><a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000103000005002706000001&amp;idtype=cvips&amp;gifs=Yes"><span style='color:windowtext;text-decoration:none;text-underline:none'><o:p>&nbsp;</o:p></span></a></i></b></p> <p class=style1 style='tab-stops:392.25pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style:normal'><a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000103000005002706000001&amp;idtype=cvips&amp;gifs=Yes"><span style='color:windowtext;text-decoration:none;text-underline:none'>No. 4 (April)<o:p></o:p></span></a></i></b></p> <p class=style1 style='tab-stops:392.25pt'><a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000103000005002706000001&amp;idtype=cvips&amp;gifs=Yes"><span style='color:windowtext;text-decoration:none;text-underline:none'>N. Giordano, <span style='mso-field-code:" HYPERLINK \0022http\:\/\/scitation\.aip\.org\/getabs\/servlet\/GetabsServlet?prog=normal&amp;id=JASMAN000103000004002128000001&amp;idtype=cvips&amp;gifs=Yes\0022 "'><u><span style='color:blue'>Mechanical impedance of a piano soundboard</span></u></span></span></a></p> <p class=style1 style='tab-stops:392.25pt'><a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000103000004002128000001&amp;idtype=cvips&amp;gifs=Yes"><span style='color:windowtext;text-decoration:none;text-underline:none'>Henry T. Bahnson, James F. Antaki, and Quinter C. Beery, <span style='mso-field-code: " HYPERLINK \0022http\:\/\/scitation\.aip\.org\/getabs\/servlet\/GetabsServlet?prog=normal&amp;id=JASMAN000103000004002134000001&amp;idtype=cvips&amp;gifs=Yes\0022 "'><u><span style='color:blue'>Acoustical and physical dynamics of the diatonic harmonica</span></u></span></span></a></p> <p class=style1 style='tab-stops:392.25pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style:normal'><a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000103000004002134000001&amp;idtype=cvips&amp;gifs=Yes"><span style='color:windowtext;text-decoration:none;text-underline:none'><o:p>&nbsp;</o:p></span></a></i></b></p> <p class=style1 style='tab-stops:392.25pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style:normal'><a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000103000004002134000001&amp;idtype=cvips&amp;gifs=Yes"><span style='color:windowtext;text-decoration:none;text-underline:none'>No. 2 (February)</span><span style='color:windowtext;font-style:normal;text-decoration: none;text-underline:none'><o:p></o:p></span></a></i></b></p> <p class=style1 style='tab-stops:392.25pt'><a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000103000004002134000001&amp;idtype=cvips&amp;gifs=Yes"><span class=SpellE><span style='color:windowtext;text-decoration:none;text-underline: none'>Myeong-Hwa</span></span><span style='color:windowtext;text-decoration: none;text-underline:none'> Lee, Jeong-No Lee, and <span class=SpellE>Kwang</span>-Sup <span class=SpellE>Soh</span>, <span style='mso-field-code:" HYPERLINK \0022http\:\/\/scitation\.aip\.org\/getabs\/servlet\/GetabsServlet?prog=normal&amp;id=JASMAN000103000002001175000001&amp;idtype=cvips&amp;gifs=Yes\0022 "'><u><span style='color:blue'>Chaos in segments from Korean traditional singing and Western singing<o:p></o:p></span></u></span></span> <p class=style1 style='tab-stops:392.25pt'><span style='color:windowtext; text-decoration:none;text-underline:none'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style:normal'><o:p>&nbsp;</o:p></i></b></span></p> <p class=style1 style='tab-stops:392.25pt'><b style='mso-bidi-font-weight:normal'><i style='mso-bidi-font-style:normal'><span style='color:windowtext;text-decoration: none;text-underline:none'>No. 1 (January)</span></i></b><span class=MsoHyperlink><b style='mso-bidi-font-weight:normal'><span style='color:windowtext;text-decoration:none;text-underline:none'><o:p></o:p></span></b></span></p> <p class=style1 style='tab-stops:392.25pt'><span style='color:windowtext; text-decoration:none;text-underline:none'>Eric D. <span class=SpellE>Scheirer</span>, <a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000103000001000588000001&amp;idtype=cvips&amp;gifs=Yes">Tempo and beat analysis of acoustic musical signals</a></span></p> <p class=style1><span style='color:windowtext;text-decoration:none;text-underline: none'><a href="http://scitation.aip.org/getabs/servlet/GetabsServlet?prog=normal&amp;id=JASMAN000103000002001175000001&amp;idtype=cvips&amp;gifs=Yes"><span style='color:windowtext;text-decoration:none;text-underline:none'><span style='mso-field-code:" HYPERLINK \0022http\:\/\/scitation\.aip\.org\/getabs\/servlet\/GetabsServlet?prog=normal&amp;id=JASMAN000103000001000588000001&amp;idtype=cvips&amp;gifs=Yes\0022 "'>&nbsp;</span></span></a></span></p> </a></p> </div> </body> </html>