| Sources Cited and Consulted |
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| Sources Cited and Consulted |
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More inclusive bibliographies can be found in Elizabeth MacAndrew's The Gothic Tradition in Fiction; David Punter's The Literature of Terror; and Rosemary Jackson's Fantasy. Current bibliography is well covered by the publications of Gothic Press.
I. Primary Sources
Adams, Henry. The Education of Henry Adams. 1918. Boston: Houghton Mifflin, 1973.
Bierce, Ambrose. Ghost and Horror Stories of Ambrose Bierce. New York: Dover, 1964.
Blackwood, Algernon. Best Ghost Stories of Algernon Blackwood. Edited by E. F. Bleiler. New York: Dover, 1973.
Brown, Charles Brockden. Edgar Huntly; or Memoirs of a Sleep-Walker. 1799. Port Washington, N.Y.: Kennikat Press, 1963.
____. Wieland, or The Transformation. 1798. New York: Doubleday, 1962.
Collins, Wilkie. Tales of Terror and the Supernatural. New York: Dover, 1972.
Faulkner, William. Sanctuary. New York: Vintage, 1931.
Gautier, Théophile. "The Dead Lover," in Romantic Gothic Tales: 1790-1840. Edited by G. Richard Thompson. New York: Harper & Row, 1979.
Godwin, William. Things as They Are; or the Adventures of Caleb Williams. 1794. London: Oxford University Press, 1970.
Hawthorne, Nathaniel. The House of the Seven Gables 1851. New York: Signet, 1961.
Hoffman, E. T. A. The Best Tales of Hoffman. Edited by E. F. Bleiler. New York: Dover, 1967.
Hogg, James. The Private Memoirs and Confessions of a Justified Sinner. 1824. New York: Norton, 1970.
James, Henry. Stories of the Supernatural. Edited by Leon Edel. New York: Taplinger, 1980.
____. The Turn of the Screw 1898. Edited by Robert Kimbrough. New York: Norton Critical Edition, 1966.
James, M. R. Ghost Stories of an Antiquary. 1904. New York: Dover, 1971.
King, Stephen. Night Shift. New York: Signet, 1978.
Kosinski, Jerzy. The Painted Bird. New York: Bantam, 1972.
Lewis, Matthew G. The Monk. 1796. New York: Grove, 1952.
Lovecraft, Howard Phillips. At the Mountains of Madness and Other Novels of Terror. London: Panther, 1968.
____. At the Mountains of Madness and Other Tales of Terror. New York: Ballantine, 1971.
Maginn, William [Maginn]. "The Man in the Bell." In Romantic Gothic Tales: 1790-1840. Edited by G. Richard Thompson. New York: Harper & Row, 1979.
Maturin, Charles Robert. Melmoth the Wanderer. 1820. Lincoln: University of Nebraska Press, 1961.
Maupassant, Guy de. "The Horla." In Classic Ghost Stories. New York: Dover, 1975.
Mudford, [William]. "The Iron Shroud." in Romantic Gothic Tales: 1790-1840. Edited by G. Richard Thompson. New York: Harper & Row, 1979.
Onions, Oliver. The First Book of Ghost Stories: Widdershins. 1911. New York: Dover, 1978.
Poe, Edgar Allan. The Narrative of Arthur Gordon Pym. 1838. New York: Penguin, 1975.
____. Selected Prose, Poetry, and Eureka. Edited by W. H. Auden. New York: Holt, Rinehart & Winston, 1968.
____. The Short Fiction of Edgar Allan Poe. Edited by Stuart and Susan Levine. Indianapolis: Bobbs-Merrill, 1976.
Radcliffe, Ann. The Italian 1797. New York: Oxford University Press, 1968.
____. The Mysteries of Udolpho 1794. New York: Oxford University Press, 1980.
Stevenson, Robert Louis. "The Strange Case of Dr. Jekyll and Mr. Hyde." 1886. In Collected Works. New York: Scribner's, 1910.
Stoker, Bram. The Annotated Dracula. 1897. Edited by Leonard Wolf. New York: Clarkson N. Potter, 1975.
Thompson, G. Richard. Romantic Gothic Tales: 1790-1840. New York: Harper & Row, 1979.
Walpole, Horace. The Castle of Otranto. 1764. In Three Gothic Novels, Edited by E. F. Bleiler. New York: Dover, 1966.
II. Secondary Sources
Abrams, M. H. A Glossary of Literary Terms. 4th ed. New York: Holt, Rinehart and Winston, 1981.
Adamowski, T. H. "Faulkner's Popeye: The 'Other' as Self." Canadian Review of American Studies 8 (1977):36-51.
Aiken, John and Anna Laetitia Barbauld. "On the Pleasure Derived from Objects of Terror," Miscellaneous Pieces in Prose. 2d ed., 119-27. London, 1775.
Alterton, Margaret. Origins of Poe's Critical Theory. Iowa City: University of Iowa Humanistic Studies (2.3), 1925.
Armstrong, Paul B. The Phenomenology of Henry James. Chapel Hill: University of North Carolina Press, 1983.
Auerbach, Nina. Woman and the Demon. Cambridge: Harvard University Press, 1982.
Bachinger, Katrina. "The Poetic Distance of the House of Usher." Studies in Nineteenth Century Literature (Salzburg, 1979):61-74.
Barbour, Brian. "Poe and Tradition." Southern Literary Journal 10 (1978):71-74.
Bedell, George C. Kierkegaard and Faulkner: Modalities of Existence. Baton Rouge: Louisiana State University Press, 1972.
Bently, C. F. "The Monster in the Bedroom: Sexual Symbolism in Bram Stoker's Dracula." Literature and psychology 22 (1972):27-34.
Bersani, Leo. A Future for Astyanax. Boston: Little, Brown, 1976.
Bettelheim, Bruno. The Uses of Enchantment. 1976. New York: Vintage, 1977.
Bierman, Joseph S. "Dracula: Prolonged Childhood Illness, and the Oral Triad." American Imago 29 (1972):186-98.
Birkhead, Edith. The Tale of Terror: A Study of Gothic Romance. 1921. New York: Russell and Russell, 1963.
Booth, Wayne C. Critical Understanding. Chicago: University of Chicago Press, 1979.
Brooke-Rose, Christine. A Rhetoric of the Unreal. Cambridge: Cambridge University Press, 1981.
Broughton, Panthea Reid. William Faulkner: The Abstract and the Actual. Baton Rouge: Louisiana State University Press, 1974.
Bullough, Edward. "'Psychical Distance' as a Factor in Art and an Aesthetic Principle." In Critical Theory Since Plato, Edited by Hazard Adams, 755-65. New York: Harcourt, 1971.
Canby, Henry S. "The School of Cruelty." Saturday Review of Literature. 21 Mar. 1931:673-74.
Carlson, E. W. Poe on the Soul of Man. Baltimore: The E. A. Poe Society and the Enoch Pratt Library, 1973.
____, ed. The Fall of the House of Usher: Text and Essays. Columbus, Ohio: Merrill, 1971.
____, ed. The Recognition of Edgar Allan Poe. Ann Arbor: University of Michigan Press, 1966.
Cawelti, John G. Adventure, Mystery, and Romance. Chicago: University of Chicago Press, 1976.
Cixous, Hélène "The Character of 'Character.'" Translated by Keith Cohen. New Literary History 5 (1974):383-402.
Costello, Donald P. "The Structure of The Turn of the Screw " Modern Language Notes 75 (1960):312-21.
Craft, Christopher. "'Kiss Me with Those Red Lips': Gender and Inversion in Bram Stoker's Dracula." Representations 8 (Fall 1984):107-33.
Cranfill, Thomas M., and Robert L. Clark. An Anatomy of The Turn of the Screw. Austin: University of Texas Press, 1965.
Crossley, Robert. "Poe's Closet Monologues." Genre 10 (1977):215-32.
Crowl, Susan. "Aesthetic Allegory in The Turn of the Screw." Novel 4 (1971):107-22.
Day, William Patrick. In the Circles of Fear and Desire: A Study of Gothic Fantasy. Chicago: University of Chicago Press, 1985.
Demetrakopoulos, Stephanie. "Feminism, Sex Role Exchanges, and other Subliminal Fantasies in Bram Stoker's Dracula." Frontiers 2 (1977):104-13.
Erikson, Erik. Childhood and Society. 2d ed. New York: Norton, 1963.
Falk, Eugene. The Poetics of Roman Ingarden. Chapel Hill: University of North Carolina Press, 1981.
Felman, Shoshana. "Turning the Screw of Interpretation." In Literature and Psychoanalysis: The Question of Reading: Otherwise, Edited by Shoshana Felman. Baltimore: Johns Hopkins University Press, 1982.
Fischer, William F. "Towards a Phenomenology of Anxiety." In Explorations in the Psychology of Stress and Anxiety, Edited by Byron P. Rourke. Don Mills, Ontario: Longman Canada Ltd., 1969.
Fitz [Fritz], Brewster E. "The Use of Mirrors and Mirror Analogues in Maupassant's 'The Horla.'" The French Review 45 (1972):954-63.
Freud, Sigmund. On Creativity and the Unconscious. Edited by Benjamin Nelson. New York: Harper & Row, 1958.
Garber, Frederick. The Autonomy of the Self from Richardson to Huysmans. Princeton: Princeton University Press, 1982.
Gargano, James W. "Poe's 'Ligeia': Dream and Destruction." College English 23 (1962):335-42.
Garmon, Gerald M. "Roderick Usher: Portrait of the Madman as Artist." Poe Studies 5 (1972):11-14.
Garrison, Joseph M., Jr. "The Function of Terror in the Work of Edgar Allan Poe." American Quarterly 18 (1966):136-50.
____. "The Irony of 'Ligeia.'" ESQ 60 (1970):13-18.
Griffin, Andrew. "Sympathy for the Werewolf." University Publishing 6 (1979):1, 17.
Grossvogel, David I. Mystery and Its Fictions. Baltimore: Johns Hopkins University Press, 1979.
Guerard, Albert J. The Triumph of the Novel: Dickens, Dostoevski, Faulkner. New York: Oxford University Press, 1976.
Guyer, Paul. Kant and the Claims of Taste. Cambridge: Harvard University Press, 1979.
Halliburton, David. Edgar Allan Poe: A Phenomenological View. Princeton: Princeton University Press, 1973.
Hallie, Philip P. The Paradox of Cruelty. Middletown, Conn.: Wesleyan University Press, 1969.
Heilman, Robert. "A Note on the Freudian Reading of The Turn of the Screw." Modern Language Notes 42 (1947):433-45.
Heller, Terry. "Poe's 'Ligeia' and the Pleasures of Terror." Gothic 2 (1980):39-48.
____. "Terror and Empathy in Faulkner's Sanctuary." Arizona Quarterly 40.4 (1984): 344-364
Hennelly, Mark M., Jr. "Dracula: The Gnostic Quest in the Victorian Wasteland." English Literature in Transition 20 (1977):13-26.
Holland, Norman N. The I. New Haven: Yale University Press, 1985.
Howarth, William L., ed. Twentieth-Century Interpretations of Poe's Tales. Englewood Cliffs, N.J.: Prentice-Hall, 1979.
Howe, Irving. William Faulkner. 2d ed. Chicago: University of Chicago Press, 1975.
Hume, Kathryn. Fantasy and Mimesis. New York: Methuen, 1984.
Ingarden, Roman. "Aesthetic Experience and Aesthetic Object." Philosophy and Phenomenological Research 21 (1961):289-313.
____. "Artistic and Aesthetic Values." In Aesthetics, Edited by Harold Osborne. New York: Oxford University Press, 1972.
____. The Cognition of the Literary Work of Art. Translated by Ruth Ann Crowley and Kenneth R. Olson. Evanston: Northwestern University Press, 1973.
____. The Literary Work of Art. Translated by George G. Grabowicz. Evanston: Northwestern University Press, 1973.
Iser, Wolfgang. The Act of Reading. Baltimore: Johns Hopkins University Press, 1978.
____. The Implied Reader. Baltimore: Johns Hopkins University Press, 1974.
Jackson, Rosemary. Fantasy. New York: Methuen, 1981.
Jacobs, Robert D. Poe: Journalist and Critic. Baton Rouge: Louisiana State University Press, 1969.
James, Henry. Theory of Fiction. Edited by James E. Miller, Jr. Lincoln: University of Nebraska Press, 1972.
Jameson, Frederic. "Imaginary and Symbolic in Lacan: Marxism, psychoanalytic Criticism, and the Problems of the Subject." In Literature and psychoanalysis, Edited by Shoshana Felman. Baltimore: Johns Hopkins University Press, 1982.
____. "Magical Narratives: Romance as Genre." New Literary History 7 (1975):133-63.
Jones, Ernest. On the Nightmare. 1931. New York: Liveright, 1951.
Kant, Immanuel. "From Critique of Judgment." 1790. In Critical Theory Since Plato, Edited by Hazard Adams, 377-99. New York: Harcourt Brace, 1971.
Kauffman, Linda S. "The Author of Our Woe: Virtue Recorded in The Turn of the Screw." Nineteenth Century Fiction 36 (1981):176-92.
Kermode, Frank. The Sense of an Ending. New York: Oxford University Press, 1967.
Kerr, Elizabeth M. William Faulkner's Gothic Domain. Port Washington, N.Y.: Kennikat Press, 1979.
Ketterer, David. The Rationale of Deception in Poe. Baton Rouge: Louisiana State University Press, 1979.
King, Stephen. Danse Macabre. New York: Everest House, 1981.
Koelb, Clayton. The Incredulous Reader: Literature and the Function of Disbelief. Ithaca: Cornell University Press, 1984.
Kristeva, Julia. Desire in Language. Edited and Translated by Leon S. Roudiez. New York: Columbia University Press, 1980.
Krook, Dorothea. "The Madness of Art: Further Reflections on the Ambiguity of Henry James." Hebrew University Studies in Literature 1 (1972):25-38.
____. The Ordeal of Consciousness in Henry James. Cambridge: Cambridge University Press, 1962.
Lacan, Jacques. "The Mirror Phase as Formative of the Function of the 'I.'" Translated by Jean Roussel. New Left Review 51 (1968):71-77.
Lauber, John. "'Ligeia' and Its Critics: A Plea for Literalism." Studies in Short Fiction 4 (1966):28-32.
Ljungquist, Kent. "Poe and the Sublime: His Two Short Sea Tales in the Context of an Aesthetic Tradition." Criticism 17 (1975):131-51.
Lovecraft, Howard Phillips. Supernatural Horror in Literature. 1939. New York: Dover, 1973.
MacAndrew, Elizabeth. The Gothic Tradition in Fiction. New York: Columbia University Press, 1979.
Mack, John E. Nightmares and Human Conflict. Boston: Little, Brown, 1970.
Martindale, Colin. "Archetype and Reality in 'The Fall of the House of Usher.'" Poe Studies 5 (1972):9-11.
Massey, Irving. The Gaping Pig: Literature and Metamorphosis. Berkeley: University of California Press, 1976.
Millgate, Michael. The Achievement of William Faulkner. New York: Random House, 1966.
Mitchell, Juliet. Psychoanalysis and Feminism. New York: Random House, 1974.
Monk, Samuel. The Sublime. Ann Arbor: University of Michigan Press, 1935.
Morris, D. Hampton. "Variations on a Theme: Five Tales of Horror by Maupassant." Studies in Short Fiction 17 (1980):475-81.
Murphy, Brenda. "The Problem of Validity in the Critical Controversy over The Turn of the Screw " Research Studies 47 (1979):191-201.
Nardin, Jane. " The Turn of the Screw : The Victorian Background." Mosaic 12 (1978):131-42.
Nash, Mark. "Vampyr and the Fantastic." Screen 17 (1976):29-67.
Ostrum, J. W., ed. The Letters of Edgar Allan Poe. Cambridge: Harvard University Press, 1948.
Palmer, Jerry. Thrillers: Genesis and Structure of a Popular Genre. New York: St. Martin's, 1979.
Pease, Donald. "The Rendered and Surrendered Pose of Edgar Allan Poe." Cithara 20 (1980):26-43.
Pollin, Burton. "Poe's Narrative of Arthur Gordon Pym and the Contemporary Reviewers." Studies in American Fiction 2 (1974):37-56.
Porte, Joel. The Romance in America. Middletown, Conn.: Wesleyan University Press, 1969.
Prawer, S. S. Caligari's Children. New York: Oxford University Press, 1980.
____. "Hoffman's Uncanny Guest: A Reading of 'Der Sandmann.'" German Life and Letters 1 (1965):297-308.
Punter, David. The Literature of Terror. New York: Longman, 1980.
Radcliffe, Ann. "On the Supernatural in Poetry." New Monthly Magazine. NS 16 (1826) 145-50.
Reed, Joseph W., Jr. Faulkner's Narrative. New Haven: Yale University Press, 1973.
Regan, R., ed. Poe. Englewood Cliffs, N.J.: Prentice-Hall, 1967.
Richter, David H. Fable's End. Chicago: University of Chicago Press, 1974.
Robinson, Douglas. "Reading Poe's Novel: A Speculative Review of Pym Criticism, 1950-1980." Poe Studies 15 (1982):47-54.
Rossky, William. "The Pattern of Nightmare in Sanctuary; or Miss Reba's Dogs." Modern Fiction Studies 15 (Winter 1969-70):503-15.
Roth, Phyllis A. "Suddenly Sexual Women in Bram Stoker's Dracula." Literature and psychology 27 (1977):113-21.
Rothbart, Mary K. "Incongruity, Problem Solving, and Laughter." Humor and Laughter: Theory, Research and Applications. Edited by A. J. Chapman and H. C. Foot. London: Wiley, 1976.
Roussel, Jean. "Introduction to Jacques Lacan." New Left Review 51 (1968):63-70.
Rowe, John Carlos. "Writing and Truth in Poe's The Narrative of Arthur Gordon Pym " Glyph 2 (1977):102-21.
Saliba, David R. A Psychology of Fear: The Nightmare Formula of Edgar Allan Poe. Lanham, Md: University Press of America, 1980.
Salzberg, Joel. "The Gothic Hero in Transcendental Quest: Poe's 'Ligeia' and James' 'The Beast in the Jungle.'" ESQ (1972):108-14.
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Senf, Carol A. "Dracula: The Unseen Face in the Mirror." Journal of Narrative Technique 9 (1979):160-70.
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Simpson, Lewis P. "Yoknapatawpha & Faulkner's Fable of Civilization." In The Maker and the Myth: Faulkner and Yoknapatawpha. Edited by Evans Harrington and Ann J. Abadie. Jackson: University Press of Mississippi, 1978.
St. Armand, Barton Levi. The Roots of Horror in the Fiction of H. P. Lovecraft. Elizabethtown, N.Y.: Dragon Press, 1977.
Stahlberg, Lawrence. "'And the will therein lieth, which dieth not': A Reconsideration of Ligeia's 'Gigantic Volition.'" American Transcendentalist Quarterly 43 (1979):199-209.
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Telotte, J. P. Dreams of Darkness: Fantasy and the Films of Val Lewton. Urbana: University of Illinois Press, 1985.
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____. Poe's Fiction. Madison: University of Wisconsin Press, 1973.
____. "'Proper Evidences of Madness': American Gothic and the Interpretation of 'Ligeia.'" ESQ 18 (1972):30-49.
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____. The Living Dead. Durham, N.C.: Duke University Press, 1981.
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End of Sources.